著者

奥野 真之

出版者

日本認知科学会

雑誌

認知科学 (ISSN:13417924)

巻号頁・発行日

vol.22, no.4, pp.649-658, 2015-12-01 (Released:2016-06-01)

参考文献数

17

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A motion picture is comprised of multiple shots, and filmmakers have developed techniques for projecting smooth and continuous transitions of shots. One of these techniques is known as a matching-action cut in which a cut occurs in the middle of an event and successive shots are spliced. The present study consists of an experi-mental survey that assesses editing methods for making a seamless match-action cut. Participants viewed short movie clips of various events, with varying camera angles,with different timing of cuts, and with time-sequence manipulation of shot transition (straight-match, ellipsis, overlapping). Movie clips were presented in pairs and partici-pants determined which of each pair set of clips appeared continuous. Based on those decisions, psychological scaling was conducted taking effect of time-sequence manipula-tion into consideration. However, from the analysis, a general preference for a specific manipulation was not confirmed.