- 著者
- 小川 伊作
- 出版者
- 大分県立芸術文化短期大学
- 雑誌
- 大分県立芸術文化短期大学研究紀要 (ISSN:13466437)
- 巻号頁・発行日
- vol.41, pp.105-119, 2003-12-26
- 著者
- 小川 伊作
- 出版者
- 大分県立芸術文化短期大学
- 雑誌
- 研究紀要 (ISSN:02869756)
- 巻号頁・発行日
- vol.27, pp.27-48, 1989-12-31
After 1600, The Lute music flourished in France, especially at the reign of Louis XIII and the early at Louis XIV's. Its music is very unique and is said to have formed the basis of the French manner of ornamentations, danse-suit formula, as well as the style of 'Baroque Lute' music, and also have effected the French Clavecin school. This thesis is aimed at translating and examined the forewords of two lute books, Pieces de Luth and Liure de Tablature by Denis Gaultier, who was then one of the representative lutenists active in Paris. These books, published about 1670-80 when the lute music had already began to decline, were one of the most important sources of information of lute playing technique and ornamentations. So this is the first step to reveal the aspects of the seventeenth century's lute music in France.
- 著者
- 小川 伊作
- 出版者
- 大分県立芸術文化短期大学
- 雑誌
- 大分県立芸術文化短期大学研究紀要 (ISSN:13466437)
- 巻号頁・発行日
- vol.32, pp.151-168, 1994-12-31
The lute book of Jacques Gallot, published in the second half of the seventeenth century in Paris is, along with the two books of Denis Gaultier, very important in the development of French lute music. It is important not because of its repertoire, but because of the information on lute music itself, its ornamentation, and the social conditions surrounding the lute. In this paper I have examined the researches from the end of the nineteenth century until the present, and examined Gallot's lute book by focusing on the author and the age in which the book was published. I then translated and annotated the advertissement, dedication, and instructions.
- 著者
- 小川 伊作
- 出版者
- 大分県立芸術文化短期大学
- 雑誌
- 大分県立芸術文化短期大学研究紀要 (ISSN:13466437)
- 巻号頁・発行日
- vol.35, pp.13-24, 1997-12-31
Two lute books by Charles Mouton were printed in the second half of the seventeenth century in Paris. His books were, together with the books of Denis Gaultier and Jacques Gallot, some of the last French lute school books published. These are important not because of their repertoires, but because of the infomation on lute music itself, its ornamentaion, and the social conditions surrounding the lute. In this paper, I translated and annotated the advertisement and instructions, mainly relying on the latest researches on Mouton and his lute books.