著者
植野 健造
出版者
美学会
雑誌
美學 (ISSN:05200962)
巻号頁・発行日
vol.43, no.2, pp.59-69, 1992-09-30

AOKI Shigeru's "Umi-no-sachi (Gifts of Sea)" (1904, Ishibashi Museum of Art) is regarded as one of the most important works not only in his artistic career but also in the history of modern western-style paintings in Japan. The unfinished aspect and the solemn atmosphere this work shows absorb our attention. In this article, the author discusses the problems in the following order ; analysis of the conditions and process in producing this work ; analysis of the concept of this work and lastly discussion of the meaning and place of this work in the history of western-style paintings of Meiji period. As a conclusion, the author proposes thus : this work was left unfinished intentionally by the artist for the purpose of heightening it's expressional effects, the core of the concept of this work was the artist's yearning for ancient worlds, this concept brought this work to show a solemn atomosphere and this work was placed at the important changing point from academically compositive paintings into expressionally imaginary paintings in the history of western-style paintings of Meiji period.
著者
植野 健造
出版者
アート・ドキュメンテーション学会
雑誌
アート・ドキュメンテーション研究 (ISSN:09179739)
巻号頁・発行日
no.14, pp.18-23, 2007-03-31

The author has been considering the importance of the newspaper article as a staff in the museum of modern art or a researcher of the history of Japanese modern art. This paper draws attention to some cases with the investigation of the newspaper article related to the art, and especially three cases that the author has tried up to now. 1. practical use of the newspaper clipping scrapbook kept by the Ishibashi Museum of Art, 2. Research of Hakubakai group and the newspaper article, 3. A modern art of Yanagawa, Fukuoka Prefecture appeared to The Yanagawa Shinpo newspaper. This paper, thus, explores the profit and the necessity of the investigation of the newspaper article by the project.
著者
植野 健造
出版者
九州大学
巻号頁・発行日
2000

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