著者

石川 千穂 Ishikawa Chiho

出版者

筑波大学社会学研究室

雑誌

社会学ジャーナル (ISSN:03865983)

巻号頁・発行日

no.36, pp.1-21, 2011-03-31

著者

石川 千穂

出版者

筑波大学社会学研究室

雑誌

社会学ジャ-ナル (ISSN:03865983)

巻号頁・発行日

no.36, pp.1-21, 2011-03

著者

石川 千穂

出版者

The Kantoh Sociological Society

雑誌

年報社会学論集 (ISSN:09194363)

巻号頁・発行日

vol.2014, no.27, pp.13-24, 2014-09-10 (Released:2015-09-01)

参考文献数

15

---

Symbolically expressed by the concept of flat culture, it has been a long time since the distinction between high culture/popular culture and the definition of youth culture or the youth themselves became blurred. This paper traces the process of identity formation of rock culture and “the youth” as rock listeners in Japan by clarifying the transition in narratives tracing a distinction between the inner and the outer in each Japanese rock magazine. By so doing, the paper demonstrates that the difficulty counter cultures face today is mainly derived from the difficulty in imagining the mass of the population as a unified community.

著者

石川 千穂

出版者

筑波大学社会学研究室

雑誌

社会学ジャーナル (ISSN:03865983)

巻号頁・発行日

no.41, pp.121-130, 2016-03-31

著者

石川 千穂

出版者

The Kantoh Sociological Society

雑誌

年報社会学論集 (ISSN:09194363)

巻号頁・発行日

vol.2014, no.27, pp.13-24, 2014

---

Symbolically expressed by the concept of flat culture, it has been a long time since the distinction between high culture/popular culture and the definition of youth culture or the youth themselves became blurred. This paper traces the process of identity formation of rock culture and "the youth" as rock listeners in Japan by clarifying the transition in narratives tracing a distinction between the inner and the outer in each Japanese rock magazine. By so doing, the paper demonstrates that the difficulty counter cultures face today is mainly derived from the difficulty in imagining the mass of the population as a unified community.

著者

石川 千穂

出版者

筑波大学社会学研究室

雑誌

社会学ジャーナル (ISSN:03865983)

巻号頁・発行日

no.36, pp.1-21, 2011-03-31 (Released:2013-12-25)