文献一覧: 細田明宏 (著者)

2 0 0 0 人形浄瑠璃・歌舞伎の観客--近代における変化

著者: 細田明宏
出版者: 京都大学大学院人間・環境学研究科日本文化環境論講座
雑誌: 日本文化環境論講座紀要 (ISSN:13444824)
巻号頁・発行日: no.2, pp.117-125, 2000-03

2016-02-22 18:17:34
2 + 0 Twitter

https://ci.nii.ac.jp/naid/40005219360

2 0 0 0 OA 人形浄瑠璃における「情」の重視と三人遣い操法の成立

著者: 細田明宏
出版者: 美学会
雑誌: 美學 (ISSN:05200962)
巻号頁・発行日: vol.62, no.2, pp.37-48, 2011-12-31

In Bunraku, a single puppet is manipulated by three puppeteers. In this paper, we will consider the method of operating Bunraku puppets by referring to the theory of the Joruri narrative because Bunraku is formed by uniting Joruri and puppets. In the 17th century, special puppeteers, Tezuma ningyotsukai, appeared and showed off their clever techniques. Bunraku puppeteers, under the influence of them, wanted to manipulate finer movements and needed two assistants as co-operators. Thus, the manipulation method of Bunraku puppets was established in 1734. Furthermore, the mechanism inside of the Bunraku puppet head was made for richer expression of emotion; these mechanisms were used to show the puppeteer's technique in Tezuma puppets. Actually at that time, there was a significant change in the artistic theory of Joruri. From that point, the importance of expressing the feelings of the characters has been established. There is a similar claim written later in the theoretical book about how to operate the Bunraku puppets. In brief, the operation method of Bunraku puppets was established for expressing the character's feelings, in accordance with the artistic theory of Joruri.