著者

羽藤 広輔

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.81, no.719, pp.179-186, 2016 (Released:2016-01-30)

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While Seiiti Sirai was an architect, he spent a lot of time practicing calligraphy in his last years. Comparing the features of this activity with his theory of tradition, it can be said that both of his intentions are similar. In addition to the commonality of attaching importance to “utility,” according to the theory of tradition, the concept of grasping the inner potential of an object without being misled by its external form and source, can be realized by the “ascetic practices,” which can make something exceed consciousness and form by practicing calligraphy.

著者

羽藤 広輔

出版者

Kyoto University

巻号頁・発行日

2014-03-24

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新制・課程博士

著者

羽藤 広輔

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.80, no.712, pp.1411-1418, 2015 (Released:2015-07-11)

被引用文献数

1

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The aim of Sirai's essay, “The Jomon style”, was not to admire the Jomon culture, but to consider how to grab the inner potential of the object without being misled by its external form. His theory of tradition subsequently developed into the “theory of expansive tradition”. He objected to confining the argument over tradition to Japan and set out to consider the concept from a universal point of view. He gave shape to it and proposed a new concept, the “Eurasian style”.