文献一覧: 西村安弘 (著者)

31 0 0 0 OA 青島から小泉へ/サラリーマン映画『踊る大捜査線THE MOVIE 2レインボーブリッジを封鎖せよ!』の政治的読解

著者: 西村安弘
出版者: 東京工芸大学
雑誌: 東京工芸大学芸術学部紀要 (ISSN:13418696)
巻号頁・発行日: vol.17, pp.35-43, 2011-03-31

2012-09-16 00:11:09
31 + 15 Twitter

https://ci.nii.ac.jp/naid/110008425397

5 0 0 0 OA <論文>顔のないモンスター/『オペラ座の怪人』(1924)から『顔のない眼』(1959)へ

著者: 西村安弘
出版者: 東京工芸大学
雑誌: 東京工芸大学芸術学部紀要 (ISSN:13418696)
巻号頁・発行日: vol.11, pp.39-45, 2005-03-31

2018-12-12 22:45:20
5 + 2 Twitter

https://ci.nii.ac.jp/naid/110004721892

4 0 0 0 OA 武道小説からスポ根へ : 宮本武蔵の求道者イメージをめぐって

著者: 西村安弘
出版者: 東京工芸大学
雑誌: 東京工芸大学芸術学部紀要 (ISSN:13418696)
巻号頁・発行日: vol.15, pp.87-97, 2009-03-31

2012-10-02 07:20:47
4 + 3 Twitter

https://ci.nii.ac.jp/naid/110007577699

2 0 0 0 IR リンドバーグの光と闇 : 市川崑の『太平洋ひとりぼっち』(1963)と『犬神家の一族』(1976)における外国映画の影響

著者: 西村安弘 Yasuhiro NISHIMURA 東京工芸大学芸術学部映像学科 Department of Imaging Art Faculty of Arts Tokyo Polytechnic University
雑誌: 東京工芸大学芸術学部紀要 = Bulletin, Faculty of Arts, Tokyo Institute of Polytechnics
巻号頁・発行日: no.23, pp.11-26, 2017

Kon Ichikawa, a prolific director who made over 80 films in his life, was under the influence of foreign films including The Spirits of St. Luis (1957) and Murder on the Orient Express (1974). Both of them are connected with an American hero Charles Lindberg who flew over the Atlantic Ocean alone and whose little daughter was kidnapped and killed. Comparing Ichikawa's Alone Across the Pacific (1963) and The Inugami Clan (1976) with those films, we might find out the specific characters of his films.

2018-12-24 10:00:18
2 + 0 Twitter

https://ci.nii.ac.jp/naid/120006317952

1 0 0 0 OA タラへの帰還『暗殺のオペラ』(1970)における分身と父親殺し

著者: 西村安弘
出版者: 東京工芸大学芸術学部
雑誌: 東京工芸大学芸術学部紀要 = Bulletin of Faculty of Arts, Tokyo Polytechnic University (ISSN:13493450)
巻号頁・発行日: vol.27, pp.1-11, 2021-03-31

A short story“ Theme of the Traitor and the Hero” by Jorge Luis Borges has an antinomic plot in which an activist forIreland’s independence is both a traitor and a hero at the same time. Two films based on this story, The Man Who Liesby Alain Robbe-Grillet and The Spider’s Stratagem by Bernardo Bertolucci, introducing a theme of the doubles, switchthe background of Ireland’s independence to anti-Fascist resistance. Robbe-Grillet’s leading character calls himself BorisVarissa or Jan Robin and one shoots down the other at the end. Through the absurd lives of the doubles, it exposes thevacancy of narration. In Bertolucci’s film, a father and a son who have the same name Athos Magnani are played by Giulio Brogi alone. Theson tires to reveal the truth of his father’s assassination in Tara and his investigation causes the symbolic killing of hisfather. The father unified with the local town makes his son a prisoner. Tara is also the homeland where Scarlett O’Hara repeatedly comes back in The Gone with the Wind. Though Scarlett andMelanie Hamilton are seemed to be the contrast characters, the author Margaret Mitchell divided the original heroine intothese twin characters. For Irish quarter and communist Bertolucci, Tara is the fatherland both where he should abandonand where he dreams to return.