15 0 0 0 OA 日本におけるヴァイニンガー受容 -芥川龍之介・谷崎潤一郎作品を中心に-
- 著者
- 西野 厚志
- 出版者
- 早稲田大学教育・総合科学学術院教育会
- 雑誌
- 学術研究 : 人文科学・社会科学編 (ISSN:21866996)
- 巻号頁・発行日
- vol.60, pp.21-36, 2012-02-25
- 著者
- 西野 厚志
- 出版者
- 日本近代文学会
- 雑誌
- 日本近代文学 (ISSN:05493749)
- 巻号頁・発行日
- vol.88, pp.65-80, 2013-05
Tanizaki Jun'ichiro is known to have owned a six-volume set of The Works of Plato (Bohn's Classical Library; London : George Bell and Son, 1848-54). There is some evidence that he was particularly familiar with the content of the second volume, which contained The Republic. It is in The Republic that the famous "Allegory of the Cave" appears. There are previous studies that point out the similarities between what the allegory describes and the mechanism of film projection. This paper argues that Tanizaki made use of the concept of the limitations of human perception described in the "Allegory of the Cave," as well as the concept of Idea, in those of his works that feature blindness, such as Shunkin sho (A Portrait of Shunkin,1933). The ultimate goal for Plato was for humans to see the light itself. Tanizaki seems to have wanted to warn against the danger of too much light, by transferring this allegory into the projection of films in modern times. In his time, films were made with nitrate, and they often caught fire while being projected, causing the destruction of the images on the screen. A Portrait of Shunkin and other stories with the theme of blindness can be understood as Tanizaki's expression of what may be called "the degree zero of representation" caused by excessive light.
4 0 0 0 OA 山田孝雄・谷崎潤一郎の研究 : 現代語訳「源氏物語」を媒介として
- 著者
- 西野 厚志
- 出版者
- 日本近代文学会
- 雑誌
- 日本近代文学 (ISSN:05493749)
- 巻号頁・発行日
- vol.88, pp.65-80, 2013-05-15 (Released:2017-06-01)
Tanizaki Jun'ichiro is known to have owned a six-volume set of The Works of Plato (Bohn's Classical Library; London : George Bell and Son, 1848-54). There is some evidence that he was particularly familiar with the content of the second volume, which contained The Republic. It is in The Republic that the famous "Allegory of the Cave" appears. There are previous studies that point out the similarities between what the allegory describes and the mechanism of film projection. This paper argues that Tanizaki made use of the concept of the limitations of human perception described in the "Allegory of the Cave," as well as the concept of Idea, in those of his works that feature blindness, such as Shunkin sho (A Portrait of Shunkin,1933). The ultimate goal for Plato was for humans to see the light itself. Tanizaki seems to have wanted to warn against the danger of too much light, by transferring this allegory into the projection of films in modern times. In his time, films were made with nitrate, and they often caught fire while being projected, causing the destruction of the images on the screen. A Portrait of Shunkin and other stories with the theme of blindness can be understood as Tanizaki's expression of what may be called "the degree zero of representation" caused by excessive light.
3 0 0 0 IR 言文一致の〈残りのもの〉 : 山田孝雄の「存在詞」と谷崎潤一郎「のである口調」
- 著者
- 西野 厚志
- 出版者
- 早稲田大学教育・総合科学学術院教育会
- 雑誌
- 学術研究. 人文科学・社会科学編 = Academic studies and scientific research (ISSN:21866996)
- 巻号頁・発行日
- no.61, pp.15-34, 2012
- 著者
- 西野 厚志
- 出版者
- 物語研究会
- 雑誌
- 物語研究 (ISSN:13481622)
- 巻号頁・発行日
- no.9, pp.45-59, 2009-03-31
Jacques Derrida, a philosopher known for "deconstruction" is said to have made an "ethical turn" after the 1980s. The very declaration of "Deconstruction is Justice" in even the "Force of Law" (1994), was a significant event that clearly illustrated an "ethical turn". At around the same period in time, while Derrida argued against the philosophy of Heidegger in "Of Spirit" (1987), following the "ethical turn", he discusses the term "Geist", a keyword he utilizes in referring to ghostly apparitions which also suggests "spirit". This study disputes the potentials verses the risks of the "ethics" that Derrida presents, in comparing the "Force of Law" and "Of Spirit".
1 0 0 0 OA 〈汚名〉を返す 山田孝雄の思想における〈統覚〉の位置
- 著者
- 西野 厚志
- 出版者
- 昭和文学会
- 雑誌
- 昭和文学研究 (ISSN:03883884)
- 巻号頁・発行日
- vol.62, pp.49-61, 2011 (Released:2022-11-19)
1 0 0 0 OA 再生する紙に〈理想(イデア)〉は宿る : 谷崎潤一郎「吉野葛」と紙の来歴
- 著者
- 西野 厚志 三田村 慶郎
- 出版者
- 京都精華大学
- 雑誌
- 京都精華大学紀要 = Journal of Kyoto Seika University (ISSN:09173986)
- 巻号頁・発行日
- no.54, pp.90-104, 2021-02-28
1 0 0 0 IR 有機的〈国体 / 国語〉論の本義 -山田孝雄の国家論と日本語文法論を中心に-
- 著者
- 西野 厚志
- 出版者
- 早稲田大学大学院教育学研究科
- 雑誌
- 早稲田大学大学院教育学研究科紀要 : 別冊 (ISSN:13402218)
- 巻号頁・発行日
- vol.21, no.1, pp.一-一二, 2013-09-30
1 0 0 0 IR 日本におけるヴァイニンガー受容 : 芥川龍之介・谷崎潤一郎作品を中心に
- 著者
- 西野 厚志
- 出版者
- 早稲田大学教育・総合科学学術院教育会
- 雑誌
- 学術研究. Academic studies and scientific research. 人文科学・社会科学編 = (ISSN:21866996)
- 巻号頁・発行日
- no.60, pp.21-36, 2011
- 著者
- 西野 厚志
- 出版者
- 日本近代文学会
- 雑誌
- 日本近代文学 (ISSN:05493749)
- 巻号頁・発行日
- vol.81, pp.143-159, 2009-11
1 0 0 0 OA 谷崎潤一郎の肉筆資料と検閲制度の相関関係についての研究
1 0 0 0 OA 有機的〈国体 / 国語〉論の本義 -山田孝雄の国家論と日本語文法論を中心に-
- 著者
- 西野 厚志
- 出版者
- 早稲田大学大学院教育学研究科
- 雑誌
- 早稲田大学大学院教育学研究科紀要 : 別冊 (ISSN:13402218)
- 巻号頁・発行日
- vol.21, no.1, pp.一-一二, 2013-09-30