著者
中尾 信一 NAKAO Shinichi
出版者
秋田大学教育文化学部
雑誌
秋田大学教育文化学部研究紀要 人文科学・社会科学 (ISSN:24334979)
巻号頁・発行日
no.76, pp.57-62, 2021-03-01

"Violence" in film has been depicted in various ways. In this essay, we will discuss how "violence," especially "people's uprising," is represented in a film Joker (2019). The film tells a story about how a protagonist named Arthur Fleck became Joker as a typical "villain" in "Batman" movies. His violence seems meaningless, but it has one moment when our ordinary recognition of "violence" transforms. By arguing the reversal of its meaning, we will explore a possibility and limit of "violence" in film.
著者
中尾 信一 NAKAO Shinichi
出版者
秋田大学教育文化学部
雑誌
秋田大学教育文化学部研究紀要 人文科学・社会科学 (ISSN:24334979)
巻号頁・発行日
no.76, pp.57-62, 2021-03-01

“Violence” in film has been depicted in various ways. In this essay, we will discuss how “violence,” especially “people’s uprising,” is represented in a film Joker (2019). The film tells a story about how a protagonist named Arthur Fleck became Joker as a typical “villain” in “Batman” movies. His violence seems meaningless, but it has one moment when our ordinary recognition of “violence” transforms. By arguing the reversal of its meaning, we will explore a possibility and limit of “violence” in film.