文献一覧: 24334979 (ISSN) - Ceek.jp Altmetrics

15 0 0 0 OA エルヴィン・シュトラウスにおける空間的なものの諸形態 ――色と音をめぐって,風景へ向けて――

著者: 小倉拓也 OGURA Takuya
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 (ISSN:24334979)
巻号頁・発行日: no.76, pp.33-40, 2021-03-01

Erwin Straus est connu pour son concept de l’espace du paysage, qui est présenté dans son magnum opus, Du sens des sens (1935), et qui a influencé ses contemporains. Cependant, il a été élaboré à travers ses théories précédentes sur le spatial, notamment celle développée dans « Les formes du spatial » (1930) où ce concept n’est pas présenté comme tel. Straus y fait une distinction entre l’espace optique et l’espace acoustique, induit par une analyse phénoménologique des modes de manifestation de la couleur et du son. C’est ainsi la distinction qui conduit à la formulation ultérieure de l’espace du paysage. Dans cet essai, étude préliminaire pour comprendre le concept de l’espace du paysage, nous proposons une lecture fondamentale de son article de 1930.

2022-04-12 17:46:29
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15 0 0 0 IR チェブラーシカはなぜ悲しげなのか ― ソ連崩壊以降のソビエト・アニメーション解釈を読みなおす ―

著者: 長谷川章 ХАСЭГАВА Акира
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 = Memoirs of Faculty of Education and Human Studies, Akita University. The humanities & the social sciences (ISSN:24334979)
巻号頁・発行日: vol.73, pp.69-75, 2018-02-23

О персонах советской анимации, как Чебурашка, Карлсон, Винни-Пух, русскими и зарубежными зрителями часто указываются свойственное настроение, как грусть, заброшенность. Автор раньше попробовал объяснить о причинах такого настроения с точек зрения одиночества детей, живущих в 60-70-ые годы, и чувств разочарования шестидесятников, которые нашли надежду в оттепели. В настоящей статье автор снова пересматривает о связи между анимацией и советским обществом, включая рассмотрение о вопросах идентичности еврейских аниматоров, которые американский исследователь Кац недавно ставит в своей монографии « Закрывать занавеску: Евреи и золотой век советской анимации »(2016).

2022-03-15 16:32:47
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3 0 0 0 OA 秋田のサッカースタジアム新設に関する経済波及効果および費用対効果の推計

著者: 萩原史朗 HAGIHARA Shiro
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)
巻号頁・発行日: vol.74, pp.61-70, 2019-03-01

This paper examines the economic ripple effect and the cost-effectiveness ratio on soccer stadium newly established in Akita, using input-output analysis. First, I estimate the cost-effectiveness ratio when a domed stadium is built for 11 billion yen. I show that it is very low both when the construction costs are financed by only Akita prefecture and when the partial amount of it are granted by the subsidies of the Sports Promotion Lottery toto.Next, I estimate the cost-effectiveness ratio when a non-domed stadium is constructed for 8 billion yen. As a benchmark, I firstly show that it is inadequate to construct a new stadium by only public funds of Akita prefecture, since the cost-effectiveness ratio is very low. I secondly show that the cost-effectiveness ratio measured by the production-induced effect is 0.74 and it measured by the added-value-induced effect is 0.37, when the earmarked grant for the social infrastructures is used. Hence, it is required to raise private funds of 0.75 billion yen for the cost-effectiveness ratio measured by the production-induced effect to be over 1 and to collect it of 2.7 billion yen for the cost-effectiveness ratio measured by the added-value-induced effect to be over 1. I thirdly show that the cost-effectiveness ratio measured by the production-induced effect is 0.58 and it measured by the added-valueinduced effect is 0.29, when the subsidy of the Sports Promotion Lottery toto is utilized. Therefore, it is necessary to raise additional private funds of 1.64 billion yen for the cost-effectiveness ratio measured by the productioninduced effect to be over 1 and to collect it of 3.31 billion yen for the cost-effectiveness ratio measured by the added-value-induced effect to be over 1.

2023-08-10 23:12:05
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3 0 0 0 OA 現代ロシアにおけるヴィクトル・ツォイのイメージについて

著者: 長谷川章 ХАСЭГАВА Акира
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 (ISSN:24334979)
巻号頁・発行日: no.76, pp.63-67, 2021-03-01

Настоящая статья посвящается истории по приемам и пере-творчествам образов советской звезды рока-музыки Виктора Цоя. В современной России XXI века разные тенденции используют образы Цоя в виде своего политического сторонника. В этой статье автор рассматривает о начале первых образов этого певца в фильмах «Асса» С. Соловьева и «Игла» Р. Нугманова, одновременно сравнивая героя в фильме «Брат» А. Балабанова, чью роль играл актер С. Бодров-младший, погибший в катастрофе в молодом возрасте , как Цой.

2022-09-14 19:50:09
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3 0 0 0 IR エルヴィン・シュトラウスにおける空間的なものの諸形態 ――色と音をめぐって,風景へ向けて――

著者: 小倉拓也 OGURA Takuya
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 (ISSN:24334979)
巻号頁・発行日: no.76, pp.33-40, 2021-03-01

Erwin Straus est connu pour son concept de l'espace du paysage, qui est présenté dans son magnum opus, Du sens des sens (1935), et qui a influencé ses contemporains. Cependant, il a été élaboré à travers ses théories précédentes sur le spatial, notamment celle développée dans « Les formes du spatial » (1930) où ce concept n'est pas présenté comme tel. Straus y fait une distinction entre l'espace optique et l'espace acoustique, induit par une analyse phénoménologique des modes de manifestation de la couleur et du son. C'est ainsi la distinction qui conduit à la formulation ultérieure de l'espace du paysage. Dans cet essai, étude préliminaire pour comprendre le concept de l'espace du paysage, nous proposons une lecture fondamentale de son article de 1930.

2022-04-12 17:47:35
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3 0 0 0 OA チェブラーシカはなぜ悲しげなのか ― ソ連崩壊以降のソビエト・アニメーション解釈を読みなおす ―

著者: 長谷川章 ХАСЭГАВА Акира
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 = Memoirs of Faculty of Education and Human Studies, Akita University. The humanities & the social sciences (ISSN:24334979)
巻号頁・発行日: vol.73, pp.69-75, 2018-02-23

2021-06-13 04:11:25
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3 0 0 0 IR 映画における「民衆蜂起」の表象 ― 映画『ジョーカー』が夢見たもの ―

著者: 中尾信一 NAKAO Shinichi
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 (ISSN:24334979)
巻号頁・発行日: no.76, pp.57-62, 2021-03-01

"Violence" in film has been depicted in various ways. In this essay, we will discuss how "violence," especially "people's uprising," is represented in a film Joker (2019). The film tells a story about how a protagonist named Arthur Fleck became Joker as a typical "villain" in "Batman" movies. His violence seems meaningless, but it has one moment when our ordinary recognition of "violence" transforms. By arguing the reversal of its meaning, we will explore a possibility and limit of "violence" in film.

2021-05-13 07:57:22
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2 0 0 0 OA 映画における「民衆蜂起」の表象 ― 映画『ジョーカー』が夢見たもの ―

著者: 中尾信一 NAKAO Shinichi
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 (ISSN:24334979)
巻号頁・発行日: no.76, pp.57-62, 2021-03-01

“Violence” in film has been depicted in various ways. In this essay, we will discuss how “violence,” especially “people’s uprising,” is represented in a film Joker (2019). The film tells a story about how a protagonist named Arthur Fleck became Joker as a typical “villain” in “Batman” movies. His violence seems meaningless, but it has one moment when our ordinary recognition of “violence” transforms. By arguing the reversal of its meaning, we will explore a possibility and limit of “violence” in film.

2023-05-31 23:02:35
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2 0 0 0 OA 北奥方言の変化段階に見られる狭母音音節の諸相 ―― 高年話者の複数発音をもとに ――

著者: 大橋純一 OHASHI Junichi
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 (ISSN:24334979)
巻号頁・発行日: no.77, pp.29-38, 2022-03-01

In the past, the /-i/ /-u/ of the Hokuo dialect became a central or low vowel, and its appearance, where it is unified with /-i/, has been focused on as one of the dialect’s distinctive characteristics in terms of speech sounds. However, concerning said dialect, when studying this phenomenon with a large number of people, variety emerges even in the same generation, and it is difficult to collectively state that the characteristic belongs to just one generation. Regarding the various aspects of the Hokuo dialect’s /-i/ /-u/ in the decline process, this paper aims to investigate the current characteristics in a comparative manner by providing a framework beforehand of the stages of change seen and the nature thereof—using previous studies as references—and analyzing the multiple pronunciations of utterances that have been classified into each stage. In relation to the current situation of dialects that feature complex aspects, the above can also be considered a new endeavor associated with the method of understanding collected data, or the procedure of analyzing said data, to ascertain the essence of what occurs in such situations.

2022-04-21 16:34:32
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2 0 0 0 IR 中世後期アンジュー公国におけるルネ・ダンジューの奉仕者集団 ~ボーヴォー家~(1)

著者: 佐藤猛 SATO Takeshi
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)
巻号頁・発行日: no.74, pp.45-54, 2019-03-01

À la fin du Moyen Âge en France, l'État angevin a été d'une grande étendue. Il comprenait l'Anjou et le Maine en France du Nord, la Lorraine et le Bar en l'Est, la Provence et la Naples au bord de la Méditerranée sous le règne du duc René d'Anjou (1434-1480). Comment il a gouverné ses sujets qui disposaient de traditions politiques et culturelles fort différentes. Ses vastes territoires le forçaient à s'appuyer des « serviteurs » dans toutes les terres. Depuis une trentaine d'années, les historiens les définissent comme des hommes qui ont participé directement ou indirectement à l'exercice du prince. La famille de Beauvau est un des « serviteurs » puissants qui ont bien servi et travaillé pour René. À la fin du 14e siècle, elle a été une petite noblesse dans le duché d'Anjou où elle a eu une terre patrimoniale. Mais son membre est devenu un des plus importants entourages au règne de René. Le seigneur de Beauvau Louis, avec son frère Jean, fut nominé à un des membres d'une commission pour réformer les coutumes d'Anjou le 6 octobre 1458. Ils ont rempli successivement un office de sénéchal d'Anjou et de Provence au milieu du 15e siècle.

2021-07-25 11:30:09
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2 0 0 0 IR 1930 年前後における経済小説の萌芽 ― プロレタリア文学派と新興芸術派との接近 ―

著者: 山﨑義光 YAMAZAKI Yoshimitsu
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)
巻号頁・発行日: no.72, pp.51-60, 2017-03-01

About 1930, two literary schools, Proletarian School and New Art School (Shinkogeijutsu-ha), attracted attention in the Japanese literary world. In the studies of Japanese modern literature, these two have been argued separately as the opposing schools of the political and the artistic avant-garde. However, there is commonality that the contemporaneity around 1930 and the impact of economy on society are the themes of the novels. In this paper, from the viewpoint of such commonality, we will take up the following two works that show the sprouting of economic novel. They are "Kyoukou" (Panic, 1929) written by Einosuke Ito and "Jinsei Tokkyu (Life Express, 1932) by Toyohiko Kuno. The theme of "Kyoukou" was the current state of the Japanese society that represented the Showa financial crisis in 1927 as a model. "Jinsei Tokkyu" depicted the Japanese society in 1932 that was influenced by the financial capitalism from a critical viewpoint of Marxism. Both Proletarian School and New Art School tried "co-writing" (Kyoudouseisaku) novels in 1930. This is because they tried to draw out the current society diversely from a broad perspective. However, that caused the loss of the role as avant-garde for the two literary schools.

2020-07-13 08:03:14
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https://ci.nii.ac.jp/naid/120006312501

2 0 0 0 OA サウンドスケープ概念の再検討 ― アリ・ケルマン,ステファン・ヘルムライヒらによるサウンドスケープの批判的検討について ―

著者: 和泉浩 IZUMI Hiroshi
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)
巻号頁・発行日: vol.74, pp.13-25, 2019-03-01

This article reconsiders relatively recent critical arguments about Raymond Murray Schafer's concept of 'soundscape', especially the arguments of two articles: Ari Y. Kelman (2010) 'Rethinking the Soundscape: A Critical Genealogy of a Key Term in Sound Studies' and Stefan Helmreich (2010) 'Listening against Soundscapes', in order to re-explore 'rich vein of scholarship of sound' (Kelman) in the concept of soundscape.Attending 'to the invention of Schafer's idea in order to wrestle with its redefinition', Kelman criticizes Schafer's bias against noise and his confusion of sound and listening, but Kelman does not consider deeply the definition of soundscape. This article reconsiders the definition of soundscape through rethinking Schafer's explanation in The Tuning the World, Helmreich's discussions of 'soundscape', 'immersion' and 'transduction', Steven Feld's 'acoustemology', Tim Ingold's 'against soundscape', and Paul Rodaway's 'aural geography', in that it situates the concept of soundscape in developments of studies on sound. This article also makes clear the concept of soundscape is not in conflicts with 'transduction', 'acoustemology' and 'immersion', and it needs to be connected with a central and traditional problem of social theories: the relationships between the individual and the social, and depending on how to make this connection, there are possibilities to develop various conceptions of soundscapes.

2019-05-08 17:34:55
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1 0 0 0 IR 中世後期アンジュー公国におけるルネ・ダンジューの奉仕者集団〜ボーヴォー家〜( 2・完)

著者: 佐藤猛 SATO Takeshi
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 (ISSN:24334979)
巻号頁・発行日: no.75, pp.39-49, 2020-03-01

À la fin du Moyen Âge René d'Anjou (r. 1434-1480), le quatrième maître de la maison Valois-Anjou, possédait des vastes territoires qui sont appelés « l'État angevin ». La famille de Beauvau était un des « serviteurs » puissants qui ont bien servi et travaillé pour le gouvernement de cet État. Le seigneur de Beauvau Louis, avec son frère Jean, fut nominé à un des membres d'une commission pour réformer les coutumes d'Anjou le 6 octobre 1458. Ils ont successivement rempli un office de sénéchal d'Anjou et de Provence au milieu du 15e siècle. Son oncle Bertrand, sire de Présigny a servi à la fois pour René et pour le roi Charles VII (r. 1422-1461). Après avoir été envoyé à sa cour par Yolande d'Aragon, Bertrand fut nominé à un des plénipotentiaires dans la conclusion d'une trêve de Tours (1444). En tant que le premier conseiller de René, il a eu la charge de diriger une réformation des coutumes d'Anjou en 1458-1463. En 1462, il fut nominé à un président séculier de la Chambre des comptes de Paris sous le roi Louis XI (r. 1461-1483). Profitant de son lien étroit avec la royauté, il a réussi de faire ses deux fils occuper une fonction important. L'ainé Antoine a succédé à son père à la présidence de la Chambre des comptes en 1472, et le cadet Jean fut nominé à l'évêque d'Angers en 1450.

2021-07-25 11:31:56
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1 0 0 0 IR 相対主義と相対化主義

著者: 立花希一 TACHIBANA Kiichi
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)
巻号頁・発行日: no.72, pp.31-35, 2017-03-01

There are at least two views on what relativism is. One is a view that relativism is a position that claims any positions are equally wrong or equally false as well as equally right or equally true. Another is a view that relativism is not the position that claims any positions are equally wrong or equally false but a position that claims any positions are equally right or equally true. This paper critically examines the two views and concludes the latter is a more proper concept of relativism according to critical rationalism, and the position that claims any positions are equally wrong or equally false is not relativism but relativizationism, which is compatible with criticism in Popper's sense.

2020-04-25 21:49:34
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https://ci.nii.ac.jp/naid/120006312498

1 0 0 0 IR サウンドスケープ概念の再検討 ― アリ・ケルマン,ステファン・ヘルムライヒらによるサウンドスケープの批判的検討について ―

著者: 和泉浩 IZUMI Hiroshi
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)
巻号頁・発行日: no.74, pp.13-25, 2019-03-01

2019-11-19 03:08:35
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1 0 0 0 OA ティム・インゴルドの反サウンドスケープ論ー音と光、サンドスケープとランドスケープー

著者: 和泉浩 IZUMI Hiroshi
出版者: 秋田大学教育文化学部
雑誌: 秋田大学教育文化学部研究紀要人文科学・社会科学 = Memoirs of Faculty of Education and Human Studies, Akita University. The humanities & the social sciences (ISSN:24334979)
巻号頁・発行日: vol.73, pp.11-21, 2018-02-23

The purpose of this paper is to consider Tim Ingold’s four objections to the concept of The purpose of this paper is to consider Tim Ingold’s four objections to the concept of soundscape, in order to reconsider the concept of soundscape in relation to the concepts of light, sound, landscape, related to sound studies, study of visual culture and auditory culture. Ingold thinks ‘the concept of sound scape would be better abandoned’ based on the four reasons. This paper points out six problems with Ingold’s objections. (1) Ingold defines sound as ‘I can hear’ depending on Maurice Merleau-Ponty’s phenomenology and he also situates sound as ‘medium’, but he does not explain the relationship between Merleau-Ponty’s ‘il y a’ and James Gibson’s ‘medium’. ‘il y a’ and ‘medium’ are different. (2) Phenomenological existential conditions are fundamental in a sense, but cultural, social and historical contexts or conditions of sound, light and ontology should be considered. (3) Sound and light have different aspects. (4) His strong nostalgia for nature and past causes narrowing experiences of sound and soundscape. (5) Although he criticizes the confusion of ‘scape’ with ‘scope’, he confuses them in his argument. (6) One can explain nothing in the pure fluxes of medium, distinctions must be made to say something.oundscape, in order to reconsider the concept of soundscape in relation to the concepts of light, sound, landscape, related to sound studies, study of visual culture and auditory culture. Ingold thinks ‘the concept of sound scape would be better abandoned’ based on the four reasons. This paper points out six problems with Ingold’s objections. (1) Ingold defines sound as ‘I can hear’ depending on Maurice Merleau-Ponty’s phenomenology and he also situates sound as ‘medium’, but he does not explain the relationship between Merleau-Ponty’s ‘il y a’ and James Gibson’s ‘medium’. ‘il y a’ and ‘medium’ are different. (2) Phenomenological existential conditions are fundamental in a sense, but cultural, social and historical contexts or conditions of sound, light and ontology should be considered. (3) Sound and light have different aspects. (4) His strong nostalgia for nature and past causes narrowing experiences of sound and soundscape. (5) Although he criticizes the confusion of ‘scape’ with ‘scope’, he confuses them in his argument. (6) One can explain nothing in the pure fluxes of medium, distinctions must be made to say something.

2018-04-24 09:05:05
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