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5 0 0 0 IR 異世界へつながる境目 : 「雪おんな」と「夢十夜」における「水」のイメージについて

著者
秦 裕緯 シン ユウイ Qin Yuwei
出版者
熊本大学
雑誌
熊本大学社会文化研究 (ISSN:1348530X)
巻号頁・発行日
no.16, pp.207-218, 2018
There are a lot of similarities between Patrick Lafcadio Hearn and Natsume Soseki. These two authors are known for both their similar work and experiences. The focus of this study is the images of water in Hearn's retold ghost story Yuki-Onna and Yume-Juya (which is also called Ten Nights Dreams), a series of short pieces by Soseki. The image of water appears frequently and plays an important part in both the two works. However, the expressions of water are different in both stories. There are two similar spaces consisted of the image of water existing in these two stories, which also acts as the connection and boundary to another world. Water plays opposite roles in marriage and mother-child relationship in Yuki-Onna and simultaneously, is an important metaphor between life and death in Yume-jiya. This study compares the similarities and differences by analyzing the two images of water in these two works and tries to clarify how and why they are shaped in these ways.

3 0 0 0 IR ラフカディオ・ハーン『飛花落葉集』の検討 : 「舞台の裏」と「幽霊の接吻」における空間構造を中心に

著者
秦 裕緯 シン ユウイ Qin Yuwei
出版者
熊本大学
雑誌
熊本大学社会文化研究 (ISSN:1348530X)
巻号頁・発行日
no.17, pp.243-253, 2019
STRAY LEAVES FROM STRANGE LITERATURE is written by Patrick Lafcadio Hearn in New Orleans. LES COULISSES and THE GHOSTLY KISS are two special essays in this work since they share a special scene: the theatre. Which is barely appears in other essays of Hearn. The description of the theatre scenes in these two essays also shares many similarities, such as the association between this the stage and life, which Hearn called "the shining temple" ; and the association between the backstage and "the Unknown World" Correspondingly. The emphasis on the light and shadow also appears in both of the two essays. By analyzing these special ways Hearn describing the theatre we can find a deeper significance inside this scene, which reflects the author's views of life and death, and also exerts a far-reaching influence on the later works after Hearn came to Japan.