3 0 0 0 OA 反ノリの理論家としてのアドルノ -ノリの社会学に向けて-
- 著者
- 小川 博司
- 出版者
- 関西大学社会学部
- 雑誌
- 関西大学社会学部紀要 (ISSN:02876817)
- 巻号頁・発行日
- vol.47, no.2, pp.1-18, 2016-03-31
Ever since Theodor W. Adorno radically attacked popular music, popular music researchers have criticized Adorno and attempted to express their own positions. However, just because Adorno attacked popular music, it does not mean he was unable to observe popular music phenomena. Additionally, his observation of popular music phenomena is not necessarily out of date. In this paper, I regard Adorno as an Anti-Nori (Groove) theorist. By discussing Adornoʼs theory of popular music, I would like to derive academic points on Nori (Groove) in contemporary society. This paper is part of a critical review of prior research on “Nori (Groove) and Social Change”.
言及状況
Twitter (3 users, 6 posts, 4 favorites)
反ノリの理論家としてのアドルノ −ノリの社会学に向けて
https://t.co/ehl5BO9QLa
https://t.co/z7vb0PfTkS
よし、まずはアドルノ批判から始めようぜ！
反ノリの理論家としてのアドルノ −ノリの社会学 に向けて−
https://t.co/o5KpEiFeMO https://t.co/84Xd3NA31M
だって。
https://t.co/o5KpEiFeMO
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