著者

鉢呂 光恵

出版者

藤女子大学

雑誌

藤女子大学人間生活学部紀要 = The bulletin of the Faculty of Human Life Sciences, Fuji Women's University (ISSN:21874689)

巻号頁・発行日

no.54, pp.137-146, 2017

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Sherrie Levine is an artist representing American postmodernism. In 1981,shetransformed a historic photograph,which was taken in 1936 by prominent photographerWalker Evans,Allie Mae Burroughs,the wife of a tenant farmer affected by theglobal depression,into a simulation art created based on the duplication technologythat was popular in America in the 1980s. Through interactive perspectives of AllieMae Burroughs, this paper highlights the fact that this production by Levine invitesspectators to evoke a new interpretation exceeding the creator’s intentions.