著者

歌川 光一

出版者

昭和女子大学女性文化研究所

雑誌

女性文化研究所紀要 (ISSN:09160957)

巻号頁・発行日

no.45, pp.37-48, 2018-03

著者

遠藤 由紀子 Yukiko Endo

出版者

昭和女子大学女性文化研究所

雑誌

女性文化研究所紀要 (ISSN:09160957)

巻号頁・発行日

no.35, pp.25-41, 2008-03

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Heima Kajiwara, who was the chief retainer of the Aizu-han in the last days of the Edo period, disappeared suddenly in the beginning of the Meiji period. He had a child with Futaba Yamakawa in the Edo period and some children with Tei Mizuno in the Meiji period. Futaba had been brought up under strictly 'Samurai' ethic of woman in the Aizu-han and worked in the Tokyo Women's College of Education. Tei was an advanced woman who founded a free, private elementary school in Nemuro, Hokkaido and worked to promote the importance of Education. Recently the re-evaluation of Tei's work brought with it the discovery of the location of Heima's tomb. The discovery clarified what happened at the end of Heima's life. Both Futaba and Tei brought up their children while working and single. Both women did not adhere to the traditional conventions of marriage, and lived their lives without depending on their husband.

著者

阿部 美香

出版者

昭和女子大学女性文化研究所

雑誌

女性文化研究所紀要 (ISSN:09160957)

巻号頁・発行日

no.44, pp.1-16, 2017-03

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In the beginning of the Kamakura era, the King Enma Hall (Enmaō-dō) was established in Daigoji temple. During this period, Senyōmon-in was the sixth imperial princess in the line of Retired Emperor Goshirakawa-in and the head of a gogan sub-temple. She was deeply devoted to Shingon Esoteric Buddhism, but when and how did such devotion begin? The key is found in the incident of an ecstasy she experienced at the age of 17. The recounting of her own experience, a document that was thus far ignored by scholars, is an invaluable testimony that revolves around the mind and body of women in Medieval Japan. The paper sheds light on this story's connection to the magical powers of an Esoteric practice known as Enmei shōkon sahō. I will argue that this event was the starting point for the construction of the King Enma Hall by Senyōmon-in and the monk Seigen.

著者

阿部 美香 Mika ABE

出版者

昭和女子大学女性文化研究所

雑誌

女性文化研究所紀要 (ISSN:09160957)

巻号頁・発行日

no.48, pp.1-18, 2021-03

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Images of the Nine Stages of the Decay of the Flesh (Kusōzu) were painted In the Hall of King Yama (Enmaōdō) at Daigoji temple, which was built at the behest of Sen'yōmon-in after the Jōkyū no ran uprising. This is probably the first example of a religious space in Japan where the officials of the underworld are depicted in conjunction with the kusō imagery, but what rituals and words formed the basis for this imagery? In this paper, I have focused on Jōkei's "Mujô no kotoba" (Words on Impermanence) and Go-Toba's "Mujō kōshiki" (Ritual Lecture on Impermanence) and make clear that these are indispensable ritual texts for understanding this religious space. Moreover, I argue that the significance of the building of the Enmaōdō is tied to Sen'yōmon-in's active engagement in the practical implementation of her faith.

著者

清水 みち Michi Shimizu

出版者

昭和女子大学女性文化研究所

雑誌

女性文化研究所紀要 (ISSN:09160957)

巻号頁・発行日

no.43, pp.27-42, 2016-03