文献一覧: 阿部美香 (著者)

4 0 0 0 OA 〔資料〕菟足神社所蔵富士山・熱田信仰史資料調査報告

著者: 阿部美香大高康正井上卓哉阿部泰郎伊藤聡三好俊徳猪瀬千尋
出版者: 昭和女子大学近代文化研究所
雑誌: 学苑 = Gakuen (ISSN:13480103)
巻号頁・発行日: no.949, pp.340-390, 2019-11-01

2022-05-20 12:38:06
4 + 6 Twitter

http://id.nii.ac.jp/1203/00006489/

4 0 0 0 IR 醍醐寺焰魔王堂建立の深層 : 宣陽門院の脱魂体験をめぐって

著者: 阿部美香
出版者: 昭和女子大学女性文化研究所
雑誌: 女性文化研究所紀要 (ISSN:09160957)
巻号頁・発行日: no.44, pp.1-16, 2017-03

In the beginning of the Kamakura era, the King Enma Hall (Enmaō-dō) was established in Daigoji temple. During this period, Senyōmon-in was the sixth imperial princess in the line of Retired Emperor Goshirakawa-in and the head of a gogan sub-temple. She was deeply devoted to Shingon Esoteric Buddhism, but when and how did such devotion begin? The key is found in the incident of an ecstasy she experienced at the age of 17. The recounting of her own experience, a document that was thus far ignored by scholars, is an invaluable testimony that revolves around the mind and body of women in Medieval Japan. The paper sheds light on this story's connection to the magical powers of an Esoteric practice known as Enmei shōkon sahō. I will argue that this event was the starting point for the construction of the King Enma Hall by Senyōmon-in and the monk Seigen.

2019-05-08 22:06:08
4 + 1 Twitter

https://ci.nii.ac.jp/naid/120006030877

3 0 0 0 富士の行者としての唯念 : 義賢行者・妙心行者・妙善尼との関わりから

著者: 阿部美香
出版者: 昭和女子大学文化史学会
雑誌: 昭和女子大学文化史研究 (ISSN:13463993)
巻号頁・発行日: no.17, pp.1-14, 2014

2021-03-24 23:14:49
3 + 2 Twitter

https://ci.nii.ac.jp/naid/40020271615

3 0 0 0 IR 一枚摺の世界 : その小釈の試み(6)

著者: 関口靜雄岡本夏奈阿部美香
出版者: 光葉会
雑誌: 学苑 (ISSN:13480103)
巻号頁・発行日: no.905, pp.82-93, 2016-03

2020-10-19 13:12:40
3 + 0 Twitter

https://ci.nii.ac.jp/naid/110010019449

3 0 0 0 IR 〔資料〕一枚摺の世界 --その小釈の試み(4)

著者: 関口靜雄岡本夏奈阿部美香昭和女子大学歴史文化学科昭和女子大学大学院生活機構研究科生活文化研究専攻一年昭和女子大学歴史文化学科
出版者: 光葉会
雑誌: 學苑 = GAKUEN (ISSN:13480103)
巻号頁・発行日: vol.898, pp.55-61, 2015-08-01

2020-03-26 11:20:14
3 + 0 Twitter

https://ci.nii.ac.jp/naid/110009930469

2 0 0 0 IR 九相図遡源試論 : 醍醐寺焰魔王堂九相図と無常講式

著者: 阿部美香 Mika ABE
出版者: 昭和女子大学女性文化研究所
雑誌: 女性文化研究所紀要 (ISSN:09160957)
巻号頁・発行日: no.48, pp.1-18, 2021-03

Images of the Nine Stages of the Decay of the Flesh (Kusōzu) were painted In the Hall of King Yama (Enmaōdō) at Daigoji temple, which was built at the behest of Sen'yōmon-in after the Jōkyū no ran uprising. This is probably the first example of a religious space in Japan where the officials of the underworld are depicted in conjunction with the kusō imagery, but what rituals and words formed the basis for this imagery? In this paper, I have focused on Jōkei's "Mujô no kotoba" (Words on Impermanence) and Go-Toba's "Mujō kōshiki" (Ritual Lecture on Impermanence) and make clear that these are indispensable ritual texts for understanding this religious space. Moreover, I argue that the significance of the building of the Enmaōdō is tied to Sen'yōmon-in's active engagement in the practical implementation of her faith.