著者

塙 叡 Akira HANAWA 東京工芸大学工学部基礎教養

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.21, no.2, pp.62-69, 1998

著者

野呂 浩 Hiroshi Noro 東京工芸大学工学部基礎教育研究センター

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.31, no.2, pp.43-49, 2008

著者

内田 らら Lala UCHIDA 東京工芸大学工学部基礎教育研究センター

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.24, no.2, pp.1-9, 2001

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In this paper, I examine where nanka in ordinary conversations comes from. Here I take into consideration the relationship between nanka and "concept" (Halliday 1994:59) in "information unit" (ibid.). From analysis and discussion, I point out (1) nanka is not "a habit of saying" to make introductory remarks, but discourse marker which follows new concepts for hearers and (2) nanka is born of metaphorical grammaticalization from pronoun and metonymic one from adverbial particle to discourse marker. Moreover, I make clear the process of grammaticalization concerning nanka. That is, nanka is derived from pronoun expressing what is unspecified. Later, influenced by adverbial particle, it marks the whole utterances after nanka as something vague and is used in order to connect to clear contexts before nanka. Then, it is grammaticalized as an expression that implies the speaker's attitude to or judgement on what remains vague after nanka.

著者

塙 叡 Akira HANAWA 東京工芸大学工学部

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.3, pp.49-58, 1982

著者

塙 叡 Akira HANAWA 東京工芸大学工学部

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.2, pp.72-79, 1981

著者

齊藤 伸 Shin Saito 東京工芸大学工学部基礎教育研究センター非常勤講師

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.40, no.2, pp.59-65, 2017-12-25

著者

小沢 一仁 Kazuhito Ozawa 東京工芸大学工学部基礎教育研究センター

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.25, no.2, pp.30-40, 2002

著者

小沢 一仁 Kazuhito OZAWA 東京工芸大学大学工学部基礎・教養

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.23, no.2, pp.94-106, 2000

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The purpose of this study was to understand the concept of Identity Understanding the concept of Identity for self-understanding, it was pointed out that Identity was "I" was "Me." What is "I"and what is "me?". It pointed that "I" was the heart, the soul of a person and "me" was the physical person, with all of one's environment, personality, limits, destiny, and potentials that lay within. And a person had some "ibasyo"-places in a society". It was discussed that in the places In a society he or she had a sense of identity.

著者

小沢 一仁 Kazuhito Ozawa 東京工芸大学工学部基礎教育研究センター

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.26, no.2, pp.64-75, 2003

著者

中村 光一 Koichi NAKAMURA 東京工芸大学工学部

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

no.4, pp.65-73, 1983

著者

中村 光一 Koichi NAKAMURA 東京工芸大学工学部

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.1, pp.54-64, 1980

著者

野呂 浩 Hiroshi NORO 東京工芸大学工学部基礎教育研究センター

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.24, no.2, pp.30-38, 2001

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Scholars of American literature have produced innumerable interpretations on Nathaniel Hawthorne's masterpiece The Scarlet Letter. Notably, each different approach to the work has revealed a different viewpoint hidden within the story. Here, the story is to be analyzed in relation to the lifelong inner angst of author Nathaniel Hawthorne. This new approach shows the main characters to be individuals into whom the depth of Nathaniel Hawthorne's psychological mindset has been projected. Arthur Dimmesdale, a young minister, reflects the author's internal struggle over his ancestor's past involvement in the judgement of witches, including at the Salem witch trial in 1692. Chillingworth, a diabolical man, represents Nathaniel Hawthorne's sense of guilt, and shows his commitment as an artist to observing people's inner souls. Hester's freethinking manner and way of life can be seen as Nathaniel Hawthorne's strong determination to become an independent artist, and one who is never to fall victim to the stains of the past and society. Nathaniel Hawthorne's longing for British culture is reflected in Pearl. The particular end that each character meets can also be interpreted as carrying its own unique message. Nathaniel Hawthorne is very negative about Chillingworth; the author shows no sympathy for his own inevitably sinful fate of peeping into people's inner souls. The implications of Dimmesdale's death after his final confession on the scaffold are somewhat ambiguous. It is uncertain whether he was saved or severely judged. More likely, there is a mixture of both elements, and his death clearly shows us that the sinful lifestyle of Nathaniel Hawthorne's ancestors must end. Hester ultimately returns of her own free will to the puritan society of Boston, after having lived for a while in the Old World with her daughter Pearl. Hester's return tells us that Nathaniel Hawthorne's desire for freedom includes the possibility of serving the puritan society. Pearl is the only character alive at the end of the novel, happily married, and possibly in England. Nathaniel Hawthorne's decision to live as an artist includes aspirations of British heritage. Dimmesdale's inherited strong animal nature is the root of the persecuting spirit in the history of the author's' ancestors. Therefore, the scarlet letter A in the story can be interpreted as the initial letter of the word 'animal.'

著者

齊藤 伸 Shin Saito 東京工芸大学工学部基礎教育研究センター非常勤講師

出版者

東京工芸大学工学部

雑誌

東京工芸大学工学部紀要. 人文・社会編 = The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University (ISSN:03876055)

巻号頁・発行日

vol.38, no.2, pp.27-33, 2015