文献一覧: 英文学研究支部統合号 (雑誌)

10 0 0 0 OA 『八月の光』におけるテクノロジージョー・クリスマスとリーナ・グローヴが見たオルターモダニティの萌芽

著者: 藤野功一
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.12, pp.311-321, 2019 (Released:2020-12-05)

2023-11-20 07:18:46
10 + 36 Twitter

7 0 0 0 OA なぜ英語は主語と助動詞を倒置するのか

著者: 時崎久夫
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.14, pp.5-15, 2022 (Released:2022-02-13)

2023-06-07 13:18:14
7 + 33 Twitter

6 0 0 0 クィークェグとは何者か : 『白鯨』における不定形の男性像(中国四国英文学研究)

著者: 高橋愛
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.7, pp.229-236, 2015

Moby-Dick has been considered to be the most masculine of Herman Melville's novels. However, few studies have extensively considered the masculinity of those on board the Pequod despite the possibility that Melville had worked hard to express masculinities that deviated from the norms of American society in the nineteenth century. This paper discusses Queequeg, a harpooner from the South Seas, as a character onto whom Melville projected a facet of his multiple ideas of masculinity, by examining his body and his behaviors. First, Queequeg's race and ethnicity are ambiguous, though he is introduced as a Pacific Islander. His tattooed body characterizes him as non-white, but at the same time he transgresses the color line with his phrenologically excellent skull. His tattoos do not reveal any ethic characteristics, though it is said that he is based on a real Maori chief. Additionally, Queequeg's sexuality and gender are also ambiguous. He has a cordial friendship with Ishmale, a common sailor and the narrator of the novel. However, their friendship often seems too sensual to presume that they are just friends: Queequeg caresses his friend many times and his actions anticipate the homoerotic ecstasy that Ishmael experiences later. There also seems to be indications that Queequeg is transgender: for instance, his affectionate huging of Ishmael and his rescue of Tashtego, another harpooner. Given these points, Queequeg seems to be portrayed as an amorphous man who transgresses the boundaries of race, ethnicity, sexuality, and gender. It is possible that his amorphous self is a projected image of what Melville regards as masculine.

2019-06-30 14:29:55
6 + 5 Twitter

5 0 0 0 OA 英語縮約関係節の構造について

著者: 鈴木達也
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.10, pp.139, 2018 (Released:2019-02-16)

2023-11-14 08:40:01
5 + 46 Twitter

4 0 0 0 OA キリスト教年代学における千年王国と終わりの時――17 世紀ニューイングランド・ピューリタニズムの終末論的考察に向けて

著者: 難波雅紀
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.9, pp.67-77, 2017 (Released:2017-05-02)

2022-06-10 01:03:08
4 + 4 Twitter

3 0 0 0 OA 感染症の時代に読み直す『ロミオとジュリエット』

著者: 鶴田学
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.14, pp.231-239, 2022 (Released:2022-02-14)

2023-11-29 18:59:51
3 + 2 Twitter

3 0 0 0 OA 語られなかったもう一つのレズビアン・プロット――サラ・ウォーターズの『アフィニティ』

著者: 平林美都子
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.9, pp.115-122, 2017 (Released:2017-05-02)

2023-07-09 07:22:23
3 + 4 Twitter

3 0 0 0 OA 蘇生のおぞましきドラマ「ベレニス」、「モレラ」、「ライジーア」におけるポーの化学的創作手法

著者: 堀智弘
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.11, pp.63-70, 2018 (Released:2019-02-07)

2023-06-18 14:11:44
3 + 5 Twitter

3 0 0 0 感染症の時代に読み直す『ロミオとジュリエット』

著者: 鶴田学
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.14, pp.231-239, 2022

2022-02-28 09:22:03
3 + 0 Twitter

3 0 0 0 OA 女性と死をめぐって : 十九世紀イギリス女性詩人と作品(北海道英語英文学)

著者: 滝口智子
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.6, pp.17-24, 2014-01-20 (Released:2017-06-16)

2020-08-19 03:22:26
3 + 10 Twitter

3 0 0 0 OA Titus Andronicusにおける暴力と祝祭(サトゥルナリア)の時空間(九州英文学研究)

著者: 石田由希
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.1, pp.381-393, 2009-01-10 (Released:2017-06-16)

2018-09-08 22:20:36
3 + 4 Twitter

2 0 0 0 OA Scribbling in the margin of Jane Eyre: 21世紀のオンライン女性読者解釈共同体と「余白への書き込み」としてのファンフィクション

著者: 板倉宏予
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.9, pp.15-26, 2017 (Released:2017-05-02)

2022-09-18 05:17:09
2 + 3 Twitter

2 0 0 0 OA 書評トドロフの幻想文学論を越えて Rosemary Jackson, Fantasy: The Literature of Subversion. London and New York: Methuen, 1981. x+211pp.

著者: 下楠昌哉
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.11, pp.251-254, 2018 (Released:2019-02-07)

2 0 0 0 「幻想的な黙想」:ブレイクの古事物愛好主義的想像力

著者: 鈴木雅之
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.14, pp.139-147, 2022

2022-02-28 00:26:35
2 + 0 Twitter

2 0 0 0 OA 暴力表象と倫理の行方 : コーマック・マッカーシー『ブラッド・メリディアン』論(関東英文学研究)

著者: 山口和彦
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.8, pp.67-76, 2016-01-20 (Released:2017-06-16)

Cormac McCarthy's Blood Meridian, or the Evening Redness in the West has been highly evaluated as a counter-history of the borderland, or as an epic novel. A number of critics, however, have pointed out its lack of ethical substance due to its abundant descriptions of violence, blood, and death. This essay examines the thematics of violence, and reinterprets BM as a work of fiction that explores the whereabouts and possibility of ethics in the postmodern and in the posthuman. The kid's characterization as a mother-killer is associated with the violence of American historiography, reflecting the rhetoric of America's expansion as biological development. It, in turn, defies the conventions of the Western-Bildungsroman genre: the building of American character through frontier experiences. Thus, BM foregrounds ontological problems of human existence and free will in the apocalyptic borderland. The desert in BM functions as a topos in which the judge practices his hyper-rational, hyper-nihilistic violence, which relativizes every system of values to the single purpose of life: "war," that is, "the truest form of divination." The kid, the judge's biggest rival, rejects being a subject of the "war," and, as a result, is cannibalized by the judge himself (not as a sacrifice for the common good or belief). His death, however, is presented as the unrepresentable, which demonstrates that this death itself is not usurped by the judge, who attempts to be the suzerain of the earth. The biggest dilemma the story presents is the kid's rejection of opportunities to kill the judge by exercising his own violent nature. This, paradoxically, leads to the possibility of a counter-ethics that continues to reject the judge's philosophy of violence. The counter-ethics (in the posthuman), in this sense, might be represented as one always already in a germinal stage, as shown in the epilogue.

2022-01-19 13:44:11
2 + 1 Twitter

2 0 0 0 女性が語る女性の変身 : 語りのApprenticeとDaddy's Girl(関西英文学研究)

著者: 沢田知香子
出版者: 一般財団法人日本英文学会
雑誌: 英文学研究支部統合号 (ISSN:18837115)
巻号頁・発行日: vol.7, pp.167-174, 2015

Marina Warner tells us that "the fairytale transformations of Cinders into princess represnt what a girl has to do to stay alive." When a girl transforms, themes of female survival and construction of self vividly emerge. Moreover, women's situation and problems present themselves in various guises. Focusing on contemporary fiction which deals with transformations of women, this paper examines images of women and explores new ways and possibilities for a woman to tell her story. This paper first looks into Angela Carter's heroines who transform themselves into predatory animals and survive, and considers the influence of Carter and her rebellious heroines on contemporary retellings of fairy tales. It will then examine Ursula Le Guin's "Daddy's Big Girl" to illustrate women's narrative strategy and Aimee Bender's "The Color Master" based on "The Donkey-skin" as a story of a woman's attempt to capture true colors and to weave her own text/textiles. Both stories are discussed, focusing on other important and relevant themes such as father-daughter relationship, mother-daughter relationship and women's body. These analyses unveil the guise of an innocent girl, revealing a defiant narrative and female figure.