著者
吉富 功修 三村 真弓 伊藤 真 徳永 崇
出版者
広島大学大学院教育学研究科音楽文化教育学講座
雑誌
音楽文化教育学研究紀要 (ISSN:13470205)
巻号頁・発行日
no.28, pp.15-24, 2016

Common teaching materials for singing, which are particular songs for generations set by the Ministry of Education in Japan, have been employed for the curriculum guideline. Since 1998, common teaching materials for appraising, which are particular pieces of music set by ministry of education, have not employed for the curriculum guideline. This change came about as a result of fewer music lessons being provided in Japanese schools; it was not because there was any question over the essential significance of the common teaching materials presented. We reviewed the significance of common teaching materials in a previous study. There, we examined how the Fate motif in Beethoven's Fifth Symphony was dealt with in textbooks and teacher manuals. In the present study, we examined The Moldau by Smetana in the same way.
著者
井本 美穂
出版者
広島大学大学院教育学研究科音楽文化教育学講座
雑誌
音楽文化教育学研究紀要 (ISSN:13470205)
巻号頁・発行日
no.25, pp.215-222, 2013

The purpose of this study is to clarify the practice of kindergarten education and the cooperation between kindergarten and elementary school of Deutsche Schule Tokyo Yokohama. Deutsche Schule Tokyo Yokohama is a German school in Japan, it has from kindergarten to high school at one location and they place importance on the cooperation between kindergarten and elementary school. The practice was examined by focusing on their music education. As a result, the school has the following suggestive points: 1. the kindergarten has lessons which are given by elementary school teachers; 2. game elements are introduced in the transition process from kindergarten to elementary school learning system; 3. music plays an important role as a means of language learning; 4. physical movements are incorporated in music activities. A clue to consider how the effective cooperation between kindergarten and elementary school could be is given by this study.
著者
伊藤 真 濟川 貴 杉原 歩 堀江 遥 井内 志穂 粟木 陽子 岡田 みなみ 勝部 遥子 山本 千尋
出版者
広島大学大学院教育学研究科音楽文化教育学講座
雑誌
音楽文化教育学研究紀要 (ISSN:13470205)
巻号頁・発行日
no.24, pp.11-20, 2012

The purpose of this study is to develop music classes using Etenraku, which is one of the oldest existing music in Japan called Gagaku (traditional Japanese court music), as a material in elementary and junior high school. The main points of view on developing music classes are as follows: (1) to pursue the musical substance, (2) to center a proactive and action-oriented learning of students, and (3) to promote and enhance language activity.The music class in elementary school has two goals. One is that students develop an understanding for a mechanism of producing sounds with double reed through the activity to make hand-made musical instrument. The other is that students understand the role of hichiriki (a kind of flute) in Gagaku ensemble, discovering sound aspects of hichiriki, and expressing the sound aspects with their own words.The music class in junior high school has two goals. One is that students understand the musical style of Gagaku through creating rhythm patterns of percussion section for the melody of Etenraku. When creating, students write musical note using composition software. The other is that students engage in entire learning process with language activity, for example, talking together about what they want to express in their work, describing their intention put into their work, or expressing what they feel when they listen other's work.