著者

永井 聡子 清水 裕之

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.61, no.487, pp.79-86, 1996

参考文献数

17

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This study is an attempt to clarify the relation between stage and auditorium in Adolphe Appia's theory of "LA MISE EN SCENE". Appia aimed at an unity between them. His idea cleared through Bayreuth festspielhaus and developped into the new step by experiencing Dalcroze method, eurhythmies in 1906. From the architectual point of view, there are two point about the unity; 1) proscenium arch 2) the side wall of the auditoium At the bottom, there are his concideration of the living body; actor and audience. New space appeared by the connection among body,lighting and space baced on the rhythm.