著者

青田 麻未

出版者

美学会

雑誌

美学 (ISSN:05200962)

巻号頁・発行日

vol.66, no.1, pp.89-100, 2015

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In this paper I will present one interpretation of Allen Carlson's theory for aesthetic appreciation of nature. Carlson claims that we must know commonsense/scientific categories of nature for appropriate aesthetic appreciation of it. There are two intentions behind his statement: one is to make an objective theory for the judgment of nature and the other is to advocate for the assertions of environmentalists on pristine nature. According to these intentions I think Carlson assigns two different roles to those categories, and consequently he assigns two different kinds of aesthetic properties for the same nature through those categories. First, those categories can function to determine the focus of aesthetic appreciation of nature. Here Carlson depends on Kendall Walton's theory of categories of art and applies it to aesthetic appreciation of nature. In this case categories reveal some aesthetic properties that depend on non- aesthetic (physical) properties of nature. Second, categories can function to show the positions of objects in natural order. Through this function categories reveal aesthetic properties that objects can have in relation to natural order. Finally I will point out the difference and similarity of those two aesthetic properties and show the limit of Carlson's view.