著者

三島 雅博 鈴木 潤

出版者

独立行政法人 国立高等専門学校機構豊田工業高等専門学校

雑誌

豊田工業高等専門学校研究紀要 (ISSN:02862603)

巻号頁・発行日

vol.54, pp.54-5, 2022 (Released:2022-02-03)

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In the Chicago World's Fair 1933, a full-scale Japanese pavilion was built in the historical Japanese architectural style. The Japanese pavilion is in the style of the Kamakura period, which is rare. This study seeks to clarify the historical significance of the Japanese Pavilion in Chicago World's Fair 1933 by exploring the background and considering the form of the Japanese Pavilion.

著者

三島雅博 [著]

巻号頁・発行日

1993

著者

三島 雅博

出版者

日本建築学会

雑誌

建築雑誌. 建築年報

巻号頁・発行日

no.1993, 1993-09

著者

三島 雅博

出版者

一般社団法人日本建築学会

雑誌

学術講演梗概集. F-2, 建築歴史・意匠 (ISSN:13414542)

巻号頁・発行日

vol.1999, pp.383-384, 1999-07-30

著者

三島 雅博

出版者

日本建築学会

雑誌

日本建築学会計画系論文報告集 (ISSN:09108017)

巻号頁・発行日

vol.434, pp.107-116, 1992

被引用文献数

2

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The Japanese pavilion named Ho-o-Den was set up in the exposition in Chicago, 1893 and modeled on the holy edifice, Ho-o-Do (Phoenix Hall) erected about 1052 at Uji near Kyoto. It consisted of three buildings showing each different artistic periods to represent the history of Japanese art. Though it didn't represent the essence of Japanese architecture and art ideally because of political intention and restriction on program, it showed Japanese beauty of her historial architecture and art in the limitation as a pavilion in the exposition. This paper reports on thp factorys surrournding the form of the Ho-o-Den.