著者

佐藤 和道

出版者

日本演劇学会

雑誌

演劇学論集 日本演劇学会紀要 (ISSN:13482815)

巻号頁・発行日

vol.65, pp.1-17, 2017-11-30 (Released:2017-11-30)

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During World War II, it is known that a lot of Nogaku works were newly written in order to encourage the wartime spirit. Among them, Churei (1941) and Miikusabune (1943) have distinctive features in terms of their large-scale performances and social impact. Churei had more than 100 performances after its premiere, touring nationwide from northern Hokkaido to southern Kyushu. Significantly, in 1942 it was presented at Korakuen baseball stadium in front of over 30000 people. In addition, Churei and Miikusabune were widely spread by record, radio, and news documentaries. This seems to be an exceptional case in Nogaku which has historically had a closed form of performance.Why could Churei and Miikusabune become propaganda for the War? Originally Nogaku was supported by a small number of wealthy patrons, so there was no need to assume an unspecified number of spectators. But at the end of the Meiji era, the middle classes such as business people and intellectuals enjoyed as a hobby practicing utai (the chant of Nogaku). Moreover, in the Taisho era there was a “popularization controversy” concernig whether Nogaku should be liberated from specific classes. Furthermore, after the reconstruction from the Grand Kanto Earthquake (1923), the approach of theatre commercialism came to be recognized as necessary for survival.This paper discusses the “commercialization of Nogaku” that already had been in progress during the Wartime through the investigation of those two works.

著者

棚町 知彌 江口 文恵 入口 敦志 佐藤 和道 竹本 幹夫 青柳 有利子

雑誌

演劇研究センター紀要IX 早稲田大学21世紀COEプログラム 〈演劇の総合的研究と演劇学の確立〉

巻号頁・発行日

vol.9, pp.105-128, 2007-01-31

著者

佐藤 和道

出版者

早稲田大学

雑誌

若手研究(B)

巻号頁・発行日

2008

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早稲田大学演劇博物館・法政大学能楽研究所・盛岡中央公民館・東京藝術大学附属図書館・土佐山内家宝物資料館・金沢市立玉川図書館等に所蔵される大鼓葛野流・小鼓幸流に関する資料を網羅的に収集し、近世から近代にかけての能楽囃子の一端を明らかにした。またその過程で、大鼓役者川崎九淵の旧蔵資料のうち従来未公開の資料を発掘することができた。これは近代における能楽囃子の様相を知る上で第一級の資料である。

著者

佐藤 和道

雑誌

演劇研究センター紀要IX 早稲田大学21世紀COEプログラム 〈演劇の総合的研究と演劇学の確立〉

巻号頁・発行日

vol.9, pp.129-141, 2007-01-31