著者

出口 雅敏

出版者

日本生活学会

雑誌

生活学論叢 (ISSN:24332933)

巻号頁・発行日

vol.13, pp.44-58, 2008-09-30 (Released:2021-03-29)

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The street protest action that crowded and was called "Sound demonstration (Sound Demo)" by young people during for several years came to be shown in the city in Japanese various places. The marcher dances the road, it walks, and this is a demonstration of the track where the sound speaker and machine parts for DJ were piled up to the head though this is a sink because of a large sound as for the dance music. This thesis pays attention to this sound demonstration that appeared in a Japanese society in recent years, and examines it as "Festival" or "Urban Festival". The sound demonstration starts sending the political expression in a festivity dimension. However, because it violates and disturbs the boundary of the festival and the demonstration, the police overreaction might be invited, and the boundary of the festival and the demonstration be made visible. However, intentional use of the festivity also gives birth also to the strategy that opposes the enclosure of such a festivity. That is, it is concluded that "Festivity as the strategy" is a device thought out to make the situation advantageous by reading the combat rule of demonstration that rules the scene of the action directly in a different way in this thesis.

著者

出口 雅敏

出版者

日仏社会学会

雑誌

日仏社会学会年報 (ISSN:13437313)

巻号頁・発行日

vol.20, pp.131-136, 2011-03-31 (Released:2017-06-09)

著者

出口 雅敏

出版者

日本文化人類学会

雑誌

日本文化人類学会研究大会発表要旨集 日本文化人類学会第43回研究大会 (ISSN:21897964)

巻号頁・発行日

pp.159, 2009 (Released:2009-05-28)

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サウンドデモは政治的表現を祝祭的次元において発信することで、一定の成功を収めてきた。だが近年は、警察や機動隊の過剰警備に包囲されがちである。こうした状況において、直接行動の現場を支配する「戦闘機約」に働きかけ、それを覆すような祝祭的戦術の駆使もみとめられ始めた。本発表では、サウンドデモの祝祭的次元についての検討を通じて、現代社会における示威行動の文化とその表現型式の特質について考察する。