著者

市川 紘司

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.87, no.802, pp.2561-2570, 2022-12-01 (Released:2022-12-01)

参考文献数

12

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“The festival plaza” with its big roof, designed by Kenzo Tange, was the facility of the Japan World Exposition 1970. The purpose of this study is, first, to examine how the big roof was removed at the seemingly halfway point of 1978, and second, to examine the case of conversion during its temporary existence. Through the analysis, it became clear that it was temporarily preserved as a symbol of “memories” of the Expo in the site utilization plan by Eika Takayama, and that a temporary exhibition hall with a tent structure was constructed for the China Exhibition held in 1974.

著者

市川 紘司 黃 琬雯

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会技術報告集 (ISSN:13419463)

巻号頁・発行日

vol.29, no.71, pp.509-514, 2023-02-20 (Released:2023-02-20)

参考文献数

6

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The purpose of this report is to examine the design process of the Republic of China Pavilion for the 1970 Japan World Exposition in Osaka, using materials dispersed in Japan and Taiwan. The research revealed that the first prize proposal for the pavilion was selected through an open design competition, but that the jury, Ieoh Ming Pei, rejected it, and the pavilion was redesigned under Pei’s coordination. It was also revealed that throughout the design process, the design of the ROC Pavilion, despite its apparent modernism style, consistently attempted to express the Chinese spirit and traditions.

著者

市川 紘司

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.88, no.805, pp.1103-1112, 2023-03-01 (Released:2023-03-01)

参考文献数

11

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By focusing on Uzo Nishiyama's exchange activities with China prior to 1972, this study reveals two things.1. Nishiyama, an architectural scholar influenced by Marxism, had his first opportunity to visit China in 1956, but was not realized because the government did not issue him a passport. However, in 1960, he could stay China for a month, inspecting new buildings and having a relationship with architects such as Liang Sicheng.2. After returning to Japan, Nishiyama published his experiences in many journals, and also established the Japan-China Center for Architectural Exchange, exchanging magazines and sending reporter to Beijing Conference.