5 0 0 0 OA アングラ演劇における身体の表象と言語活動
4 0 0 0 OA 別役実『正午の伝説』分析 : 「我慢する身体」の表象をめぐって
- 著者
- 梅山 いつき
- 出版者
- 早稲田大学大学院文学研究科
- 雑誌
- 早稲田大学大学院文学研究科紀要. 第3分冊, 日本語日本文学 演劇映像学 美術史学 日本語日本文化 (ISSN:13417533)
- 巻号頁・発行日
- vol.55, pp.35-49, 2010-02-26
2 0 0 0 OA 名前のない壁画
- 著者
- 梅山 いつき
- 出版者
- 日本演劇学会
- 雑誌
- 演劇学論集 日本演劇学会紀要 (ISSN:13482815)
- 巻号頁・発行日
- vol.46, pp.123-145, 2008 (Released:2018-01-12)
Many experimental theatre troupes, known as Angura (underground or avant-garde theatre), emerged in the middle of the 1960s, a theatrical movement that rapidly gained influence from 1966 to 1970. Today, Angura is regarded as an important movement in Japan, but research on it remains insufficient. What was the theatrical movement Angura?Engeki Centre 68/71 is considered to be the most political theatre troupe of the Angura movement. The Dance of Angels Who Burn Their Own Wings was written by four playwrights of the Centre in 1970. This play deals with the French Revolution to express the Centre's idea of revolution. Angura is concerned simply with a counter culture or political movement; as most of Angura's artists participated in a campus activism and their plays were often radical. The characters in this play are unable to achieve a revolution. However, this failure of a revolution does not suggest the limit of Angura; rather, it prevents the revolution from falling into self-contradiction. Through analyzing the text, it could be said that The Dance of Angels Who Burn Their Own Wings represents the Centre's struggle to avoid getting into such a simple revolutionary movement.