- 著者
- 生井 達也
- 出版者
- 日本生活学会
- 雑誌
- 生活学論叢 (ISSN:24332933)
- 巻号頁・発行日
- vol.32, pp.1-14, 2017 (Released:2021-05-14)
- 参考文献数
- 25
It is difficult to categorize indie musicians’ activities as either a job or a hobby. Nowadays, indie musicians are rational and economically independent due to technological improvements in musical equipment and the Internet, which have individualized and de-localized musical activity. Indie musicians based in the “Livehouse” (a Japanese small music venue) sometimes judged as irrational actors, and Livehouse has been criticized as a closed space where performers are exploited by a ticket quota. However, such criticism is based on values of the market economy. My aim is to overcome the limitation of these biased criticism by analyzing the face-to-face interactions among people gathered in a Livehouse called “Heaven”. For that, the present paper demonstrates that even though this venue relies on market exchange to profit from customers, the core customers, known as “regulars”, use “Heaven” as a “hangout”. These regulars interact and mutually aid each other without using money and demonstrate their respect towards the music through money. Here we can find the bricolage of market exchange and gift exchange that transforms “Heaven” to a convivial place.
- 著者
- 生井 達也
- 出版者
- 日本文化人類学会
- 雑誌
- 日本文化人類学会研究大会発表要旨集 日本文化人類学会第54回研究大会 (ISSN:21897964)
- 巻号頁・発行日
- pp.A14, 2020 (Released:2020-09-12)
本発表では、ある程度決まった成員によって定期的にライブ・パフォーマンスが繰り返されている小規模ライブハウスにおいて、同じ出演者と客という組み合わせでもライブの盛り上がりや評価が〈その場〉によって異なるという点を取り上げ、そのような〈その場〉を立ち上がらせる差異がどのように作られているのかを検討する。
- 著者
- 生井 達也
- 雑誌
- 関西学院大学先端社会研究所紀要 = Annual review of the institute for advanced social research (ISSN:18837042)
- 巻号頁・発行日
- no.14, pp.187-194, 2017-03-31