著者

石田 百合子

出版者

上智大学

雑誌

上智大学国文学科紀要 (ISSN:02895552)

巻号頁・発行日

vol.10, pp.21-34, 1993-01-16

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土田・剣持両教授定年送別記念号

著者

石田 百合子

出版者

上智大学

雑誌

上智大学国文学科紀要 (ISSN:02895552)

巻号頁・発行日

vol.8, pp.29-52, 1991-01-18

著者

石川 奈保子 石田 百合子

出版者

一般社団法人 日本教育工学会

雑誌

日本教育工学会論文誌 (ISSN:13498290)

巻号頁・発行日

vol.46, no.4, pp.641-652, 2023-02-02 (Released:2023-02-11)

参考文献数

33

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本研究では,大学生対象に,2020年度後期にオンライン授業を受講しての自己調整学習の状況を尋ねた.その結果,以下の3点が明らかになった.(1)「e ラーニングでは計画的に一人でじっくり学習できるところがよい」と考えている学生ほど学習を工夫する方略を使用し,「e ラーニングは単調な感じがするので物足りない」と考えている学生ほど学習とそれ以外の時間にめりはりをつけることで学習意欲の維持をはかる方略を使わない傾向が示された.(2)学習の相談ができる友人の有無によって,e ラーニング指向性や自己調整学習方略使用に違いはなかった.(3)時間割などをベースに学習時間を固定していた学生と,課題の期限などをベースに学習時間を流動的に取っていた学生がおり,いずれでも自己調整していた学生はうまく学習を進めていた.うまく学習を進めるには,時間割ベースの学習計画を立てるとともに,タスクを把握・可視化し,やり残した課題に取り組む日や休息日を設定することが有効であることが示唆された.

著者

石田 百合子

出版者

The Society for Research in Asiatic Music (Toyo Ongaku Gakkai, TOG)

雑誌

東洋音楽研究 (ISSN:00393851)

巻号頁・発行日

vol.1989, no.53, pp.43-71,L8, 1988-12-31 (Released:2010-02-25)

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This article is a chronological record of the life of Nakahara Ariyasu, written in the form of Ariyasu's diary. This diary itself does not actually exist, and in this sense the account is fictional.Nakahara Ariyasu was a musician who served under Kujo Kanezane (1149-1207) from the end of the Heian period to the beginning of the Kamakura period. He taught the biwa to Kanezane, as well as to Kamo no Chomei. A record of his statements and teaching about the biwa, organized and classified by one of his students, exists in the form of Kokin kyoroku. The present author has described its contents and expression in Vols. 1 and 3 of Jochi daigaku kokubunka kiyo (“Bulletin of the Japanese Literature Department of Sophia University”). This article follows on these previous articles as a chronological record of Ariyasu's life. The reasons why it has been written in the form of a diary are, firstly, to demonstrate the close connection between the range of Ariyasu's life and art, and the political stance as well as religious and cultural activities of the Kujo clan, and secondly, by superimposing the daily activities of Ariyasu and Kanezane, to contrast in concrete terms the difference in meaning that music and dance had to the two men, a musician and a noble respectively.Kujo Kanezane was the son of the Kanpaku (Regent) Fujiwara no Tadamichi, and became Utaisho (Major Captain of the Right) in Oho 1st year (1161) at the age of thirteen, later ascending to Naidaijin (Great Minister of the Centre), Udaijin (Great Minister of the Right), Sessho (Regent for an Emperor who is still a minor) in Bunji 2nd year (1186) and finally Kanpaku (Regent) in Kenkyu 2nd year (1191). He fell from power in Kenkyu 7th year (1196), and died in Jogen 1st year (1207) at the age of 59.Ariyasu served in the Kujo clan from the time when Kanezane was Utaisho, but at the same time held a number of official posts. According to surviving records, he held at various times the following posts: Minbu-no-jo, Minbu-no-daifu Hida-no-kami, Chikuzenno-kami, and Gakusho-no-azukari.The time during which this master and servant lived was one of great disturbances. The Hogen and Heiji Insurrections (1156 and 1160 respectively) were followed by the Genpei War, the great war between the Minamoto and Taira clans of 1180-85 that resulted in the victory of the Minamoto. The capital Kyoto was ravaged by great fires, earthquakes, and famines, and political power was steadily passing from the hands of the nobles to those of the warrior class. Kanezane's diary, Gyokuyo, gives a detailed description of movements in the contemporary political scene, and is of immeasurable value as historical source material. There is no source more valuable than this, too, for investigating the state of cultural aspects of the time, such as ceremony, religion, waka poetry, and music.Kanezane's concept of the ideal member of the noble class envisaged a person with grace who balanced equal ability in the fields of politics, ceremony, literature and the performing arts. Looking at examples from the latter field at the end of the Heian period, we can note the Cloistered Emperor Goshirakawa, who showed an almost deranged fascination for the popular vocal form imayo, while the famous musician Myonon-in Fujiwara no Moronaga devoted all of his energies to completing a comprehensive study and documentation of the gagaku, especially kangen, tradition. This attitude of becoming overly preoccupied with a single thing differed from Kanezane's ideal. This was rather a person who possessed the finest knowledge, understanding and discernment in a wide range of fields, from politics to literature and music, and who showed no special partiality towards any of them. He tried to educate his sons in this way. Kanazane himself pursued this image of the ideal Heian-period noble, and almost realized it; the one great difference between his

著者

石田 百合子

出版者

上智大学

雑誌

上智大学国文学論集 (ISSN:02880210)

巻号頁・発行日

vol.16, pp.59-85, 1983-01-16

著者

石田 百合子

出版者

上智大学

雑誌

上智大学国文学科紀要 (ISSN:02895552)

巻号頁・発行日

vol.1, pp.37-51, 1984-02-10

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創設25年記念

著者

石田 百合子

出版者

上智大学

雑誌

上智大学国文学科紀要 (ISSN:02895552)

巻号頁・発行日

vol.6, pp.69-87, 1989-01-14

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上智大学創立七十五周年記念/村松・太田両教授定年送別記念号

著者

石田 百合子

出版者

上智大学

雑誌

上智大学国文学科紀要 (ISSN:02895552)

巻号頁・発行日

vol.3, pp.21-50, 1986-01-18

著者

石田 百合子

出版者

上智大学

雑誌

上智大学国文学論集 (ISSN:02880210)

巻号頁・発行日

vol.15, pp.79-114, 1982-01-16

著者

石田 百合子

出版者

上智大学

雑誌

上智大学国文学科紀要 (ISSN:02895552)

巻号頁・発行日

vol.5, pp.1-41, 1988-01-17