著者
小田 亮 Makoto Oda 桃山学院大学文学部
雑誌
桃山学院大学人間科学 = HUMAN SCIENCES REVIEW, St. Andrew's University (ISSN:09170227)
巻号頁・発行日
no.2, pp.1-20, 1991-03-01

This essay has two aims; one is to show the perspective Levi-Strauss's structural analysis of myths has offered, and the other is to point a resemblance between myths and novels in the way of being against the narrative. For the former, I do a demonstration of a structural analysis on three African myths, and point out in the analysis that no myth is isolated from others and that there is no single or privileged code which excludes other codes in the formation or interpretation of myths. On the other hand, the novel is an unorthodox genre and a newcomer in the European literature. While the epic which is the counterpart of the narrative in the Latin-European literary orthodoxy has canons or privileged codes, the novel doesn't. Unlike the narrative or epic, and like myths viewed from the stand-point of structurism, novels have no self-conclusion in their nature of intertextuality and always put several codes in play against the autocracy of any single code the narrative demands.
著者
小田 亮 Makoto Oda
出版者
桃山学院大学総合研究所
雑誌
桃山学院大学人間科学 (ISSN:09170227)
巻号頁・発行日
no.2, pp.p1-20, 1991-03

This essay has two aims; one is to show the perspective Levi-Strauss's structural analysis of myths has offered, and the other is to point a resemblance between myths and novels in the way of being against the narrative. For the former, I do a demonstration of a structural analysis on three African myths, and point out in the analysis that no myth is isolated from others and that there is no single or privileged code which excludes other codes in the formation or interpretation of myths. On the other hand, the novel is an unorthodox genre and a newcomer in the European literature. While the epic which is the counterpart of the narrative in the Latin-European literary orthodoxy has canons or privileged codes, the novel doesn't. Unlike the narrative or epic, and like myths viewed from the stand-point of structurism, novels have no self-conclusion in their nature of intertextuality and always put several codes in play against the autocracy of any single code the narrative demands.