著者
中谷 伸生
出版者
関西大学大学院東アジア文化研究科
雑誌
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)
巻号頁・発行日
vol.13, pp.31-57, 2020-03-31

The Portrait of Kimura Kenkado (owned by Osaka Prefectural Board of Education) was painted by TANI Buncho (1763-1841) in 1802. The grinning expression of KIMURA Kenkado (1736-1802) in the painting is unusual among East Asian portraits before the nineteenth century. The main questions addressed in this paper are : 1) the issue of the forgery of Kenkado's paintings, especially of his mid-career works, 2) the influence of ITO Jakuchu on the shifting style of Kenkado, and 3) the question of why Kenkado's later paintings adopted a more realistic mode of representation. Lastly, this paper will suggest the possibility that Kenkado's bereaved family specifically requested Buncho to paint the portrait of Kenkado with a smile. It is also argued that Buncho, as a close acquaintance and admirer of Kenkado, painted the portrait with a similar intent to his family.

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木村蒹葭堂はなぜ笑っているのか : 研究をめぐる疑問と課題と仮説 https://t.co/vHRAmoJ6xq
PDFあり。 ⇒中谷伸生 「木村蒹葭堂はなぜ笑っているのか : 研究をめぐる疑問と課題と仮説」 『東アジア文化交渉研究』第13号(2020-3) https://t.co/N72ptv37cc
木村蒹葭堂はなぜ笑っているのか : 研究をめぐる疑問と課題と仮説 | 関西大学学術リポジトリ https://t.co/xYv4ML7gRo

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