文献一覧: 13454307 (ISSN) - Ceek.jp Altmetrics

9 0 0 0 IR 栗本鋤雲の函館

著者: 井田進也
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.12, pp.146-139, 2011

2021-08-13 05:55:32
6 + 5 Twitter
3 + 4 Wikipedia

https://ci.nii.ac.jp/naid/110008425418

6 0 0 0 OA ヴァージニア植民地に連れて来られた初めてのアフリカ人 : 近年の研究とそれに基づく新しい説明

著者: 佐藤円
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 = Otsuma journal of comparative culture (ISSN:13454307)
巻号頁・発行日: vol.21, pp.43-65, 2020-03-01

2023-03-28 05:19:49
6 + 5 Twitter

http://id.nii.ac.jp/1114/00006862/

6 0 0 0 OA ドストエフスキー・ノート(5) : ゲッベルス、トマス・ア・ケンピス

著者: 中村健之介
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.9, pp.146-127, 2008

今回は、「ドストエフスキー・ノート(3) 日本ロシア文学会講演」(『大妻比較文化紀要7』)の追記である。

2019-09-22 22:32:49
6 + 0 Twitter

https://ci.nii.ac.jp/naid/110007122242

5 0 0 0 OA ジョウン・G・ロビンソン『思い出のマーニー』 : 過去との邂逅あるいは和解

著者: 安藤聡
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.11, pp.3-11, 2010

2016-03-02 03:40:37
1 レファ協
4 + 0 Twitter

https://ci.nii.ac.jp/naid/110008284626

4 0 0 0 OA 『ハリー・ポッター』シリーズに見る英国ファンタジーの伝統

著者: 安藤聡
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.13, pp.127-115, 2012

2021-06-27 16:59:10
4 + 0 Twitter

https://ci.nii.ac.jp/naid/110009004085

3 0 0 0 OA 史料が語るポカホンタス

著者: 佐藤円
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.16, pp.72-99, 2015

2020-09-15 01:18:36
3 + 0 Twitter

https://ci.nii.ac.jp/naid/110009920859

3 0 0 0 OA J・R・R・トルキーン「ホビット」 : 古いものと日常の美、あるいは「イングランド的なるもの」

著者: 安藤聡
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.14, pp.3-13, 2013

2017-06-18 15:00:22
3 + 3 Twitter

https://ci.nii.ac.jp/naid/110009558113

3 0 0 0 OA 良心的兵役拒否の思想

著者: 斉藤恵子
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.9, pp.25-31, 2008

2015-10-02 21:41:51
3 + 0 Twitter

https://ci.nii.ac.jp/naid/110007122257

2 0 0 0 OA ウォルツのネオ・リアリズムについての研究ノート : 『人間・国家・戦争』と『国際政治の理論』の現代的意義

著者: 井上淳
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 = Otsuma journal of comparative culture (ISSN:13454307)
巻号頁・発行日: vol.18, pp.19-34, 2017-03-01

2023-01-08 01:00:03
2 + 1 Twitter

http://id.nii.ac.jp/1114/00006470/

2 0 0 0 IR プロエスティ・レーゲンスブルク・シュヴァインフルト : 米軍白昼精密爆撃戦略の揺らぎ、1943年ヨーロッパ戦線

著者: 高田馨里
出版者: 大妻女子大学比較文化学部
雑誌: 大妻比較文化 = Otsuma journal of comparative culture (ISSN:13454307)
巻号頁・発行日: no.19, pp.17-43, 2018

2021-12-16 22:03:38
2 + 0 Twitter

https://ci.nii.ac.jp/naid/120006547036

2 0 0 0 IR サロメの系譜聖書の時代から現代まで

著者: 斉藤恵子
出版者: 大妻女子大学
雑誌: 大妻比較文化 (ISSN:13454307)
巻号頁・発行日: no.1, pp.48-71,図5〜6, 2000-03

This paper is based upon university lectures I gave in 1998 as part of a joint series on Women's Studies. The principle aim that year was to find examples of women's ways of life within each lecturer's own specialized field. Salome was taken up. The story of Salome proved popular in Christian art from an early period, and has been portrayed in other fields such as literature, music, dance and cinema. The theme permits various approaches. Salome, best known as the heroine in Oscar Wilde's one-act play and Richard Strauss's opera, is remembered as the immediate agent in the execution of John the Baptist, but she is unnamed in the Gospels, Mark and Matthew. It is her mother Herodias that is a main agent in the beheading of John. Herodias was infuriated by John's stinging rebuke of her marriage to Herod Antipas as the marriage violated Mosaic Law. Herodias has been regarded as a cruel and wicked woman who prompted her daughter to ask for the holy prophet's head, but she would have sharply protested against Mosaic Law which was extremely unfair to women. Heredias's condemnation of Judeo-Christian laws and ethics as too favorably biased toward male supremacy is a voice worth listening to. Iconographically, Salome has often been confused with Judith of Bethulia, a beautiful Jewish widow who saved her country from the evil enemy by beheading the enemy's general with his sword. Two pictures of "Judith,alias Salome" by Gustav Klimt are adequate illustrations. Judith was sometimes regarded as the female counterpart of King David of Judea, and was admired by such woman painter as Artemisia Gentileschi. But both Salome and Judith have been portrayed by the nineteenth century "fin de siecle" artists as erotic symbols. In her Tale of Salome's Nurse, contemporary historian and writer, Shiono Nanami, interprets Salome as the courageous woman, fully aware of her responsibility as a monarch, with keen insight into the political and religious disturbances within Jewish society. Completely independent of her frail mother, she requested her step-father give her the head of John the Baptist as a reward for her dance of the seven veils. In this way, Shiono has interpreted, Salome as having brought momentary peace to her country, Judea. In conclusion, Salome is an exciting example from whom we can learn both positive and negative lessons.

2021-05-03 22:00:46
2 + 2 Twitter

https://ci.nii.ac.jp/naid/110007122155

2 0 0 0 IR 現代英国ファンタジーとその背景

著者: 安藤聡
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.12, pp.138-119, 2011

2019-01-16 15:11:02
2 + 0 Twitter

https://ci.nii.ac.jp/naid/110008425416

2 0 0 0 IR ディエゴ結城の1615年8月2日付クラウディオ・アクアヴィーヴァ宛書簡(ARSI Jap.Sin. 36.245r.-246v.) : ラテン語原文と注解

著者: 渡邉顕彦
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.14, pp.94-112, 2013

2019-01-16 06:44:37
2 + 2 Twitter

https://ci.nii.ac.jp/naid/110009558212

2 0 0 0 OA 第二次世界大戦期、米英同盟による地図作成 : 「斜角遠近法標的地図(ギアリングスの地図)」を中心に

著者: 高田馨里
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.17, pp.55-70, 2016

2017-02-25 04:20:09
2 + 1 Twitter

https://ci.nii.ac.jp/naid/110010040969

2 0 0 0 IR 米中関係と宋美齢--日中戦争時期の対中支援要請活動をめぐって

著者: 石川照子
出版者: 大妻女子大学
雑誌: 大妻比較文化 (ISSN:13454307)
巻号頁・発行日: no.2, pp.24-41, 2001

2016-07-10 18:43:26
2 + 0 Twitter

https://ci.nii.ac.jp/naid/110007122172

2 0 0 0 OA 仏文学と国文学の橋渡しとしてのラフカディオ・ハーンの役割 : ゴーティエ・ハーン・芥川の流れを例として

著者: 松村恒
出版者: 大妻女子大学
雑誌: 大妻比較文化 : 大妻女子大学比較文化学部紀要 (ISSN:13454307)
巻号頁・発行日: vol.6, pp.65-75, 2005

In the early stage of his writing activity, Lafcadio Hearn was eager to translate French literature into English. At the same time he published reviews of English translations from French novels made by his contemporaries in the U.S.A. and criticized them severely. Through these reviews he expressed his view on translation, and his own translations correlate with his translation theory. He began a career as translator with Theophile Gautier, which may have suited his taste for mysterious things. The reason why Hearn chose Gautier's works is not confined to this. Young Hearn needed to brush up his writing style, and Gautier's splendid style gave strong influence to Hearn in forming his own flowery style, which lasted until the first half of his time in Japan. If we compare Hearn's translation of the Clarimonde to Gautier's original, we realize that his English translation is very faithful to the French original and surprisingly his English style is as magnificent as Gautier's. Akutagawa Ryunosuke adopted similar way of self-training of writing. When he was an Ichikou student, he translated the Clarimonde into Japanese under Kume Masao's direction. The text Akutagawa's translation was based on was not the French original, but Hearn's English translation. Although we may be afraid that Akutagawa's translation might deviate from Gautier's original, close comparison of the three versions, i.e. Gautier's French original, Hearn's English rendering and Akutagawa's Japanese translation, lead us to confirm that Akutagawa reached a good achievement in both aspects of faithfulness to the original and a brilliant style of Japanese. The significance of Hearn's translations has not been given due evaluation heretofore, but the above example may be a sufficient cause which requires us to make reconsideration of Hearn's translation.