著者

井上 征矢 山本 早里 三井 秀樹

出版者

日本デザイン学会

雑誌

デザイン学研究. 研究発表大会概要集 (ISSN:09108173)

巻号頁・発行日

no.49, pp.212-213, 2002-11-05

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When we see the follwing stripe, we can recognize the Border Contrast (BC) vividly. It is already known that the value difference is most influential for the cognition of BC. In this paper, we present the result of the experiment characterising BC, based on hue or chroma difference, and conclude the following. 1) BC can be seen in this stripe composed by hue or chroma difference. 2) Chroma BC tends to be visible in the stripe with red, but hard to be visible in the stripe with green. 3) The strength of chroma BC is influenced by stripe width. In case of yellow or blue, the larger stripe width is more effective for the cognition of BC, comparing with the stripe with red or green.

著者

山田 貴史

出版者

日本デザイン学会

雑誌

デザイン学研究. 研究発表大会概要集 (ISSN:09108173)

巻号頁・発行日

no.48, pp.332-333, 2001-10-15

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;Recently, digital fonts became to be designed easily by widespread use of computers.However, the font design process is not clear. So, in this study, the purpose is to make it clear by systematic approach. To design digital font, at first, it is necessary to decide on the design concept.This is one of the most important process.Afterwards, designing the typeface.This is divided into seven processes. 1)Configuring font environment 2)Making the font image 3)Designing font elements 4)Assembling font elements 5)Putting typeface into shape 6)Regulation of all 7)Assigning character code, and bringing digital font to completion.With these processes, I think that the font design process is more clear.