著者

若山 滋 北川 啓介 夏目 欣昇 伊藤 裕子

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.70, no.592, pp.85-91, 2005

被引用文献数

5 1

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In this study, we aim at the characterization of "Space/Image" of film, which changes dramatically with the passage of the scene in two-dimensional images in particular. As well as we investigate how the historical architects or urbanists have treated the climate, the religion, the politics, the society, the current of the times in architecture and city and how film directors or cameramen design space in movie with various resources and compositions. There are many components of movies that create the images in the films. The components include natural materials, artificial materials, inside and outside settings of living creatures as well as other creatures, colors, and Depth on Images. In this paper, we emphasize the field of Depth that is the main factor of the difference between actual three-dimensional space and two-dimensional images from an architectural point of view. The subjects of this paper are two films, "Summer Time" and "Death in Venice."