著者
寺内 直子
出版者
神戸大学
雑誌
国際文化学研究 : 神戸大学国際文化学部紀要 (ISSN:13405217)
巻号頁・発行日
vol.27, pp.51-80, 2007-02

Gagaku 雅楽, which is the oldest genre of Japanese traditional music preserved in the Court rituals, has experienced a rapid and drastic change after 1970s. This article will study the new movements of gagaku as artistic music by analyzing the National Theatre's activities in the last four decades and evaluate them in the history of gagaku and western contemporary artistic music. There are three new streams in gagaku for a wider public appreciation after 1970s ; 1) surviving traditional repertoire, which can be found in the standard score Meiji sentei-fu 明治撰定譜 kept by Kunaicho gakubu 宮内庁楽部 (Music Department of Imperial Household Agency) and 'reconstruction' of the lost pieces, 2) collaborative works with western artistic music ; and 3) a fusion with pop music. Kokuritsu gekijo 国立劇場, or National Theater Japan, produced a series of Gagaku kouen 雅楽公演, or gagaku concerts, as one of the important programs, in which 'reconstruction' of ancient pieces and instruments have been staged as well as the traditional (classical) repertoire since its open in 1966. Gagaku concerts tried various new experiments under the name of 'reconstruction' and made a great contribution to the development of contemporary artistic music, as opposed to the generally accepted image of gagaku such as 'eternal classics' or 'noble unchanged music'. This paper will clarify how Theater's gagaku concerts have provided an important place for collaborative creation of traditional gagaku and western avant-garde music, focusing on the contents of and the producer's intention for the 'reconstruction' project of the Theater.

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CiNii 論文 -  国立劇場の雅楽「復元」プロジェクトにおける「伝統」への挑戦 https://t.co/tvueN3g0LW #CiNii
渋谷慶一郎さんに指摘されて気付いたが、国立劇場の正倉院復元楽器が白木で作られたのは不思議だ。すでに音楽理論も整理されている先進国から渡来した楽器に「手垢のつかない野生的な音」を求めるのは変だと思う。意図はあったと思うが、楽器だから音色は拘って欲しかった。 https://t.co/2kOM3uGawm
読みやすくて非常に面白かった。知っている話が多いのだけれど、客観的に記述されることにより色々と整理される感じがする。/CiNii 論文 -  国立劇場の雅楽「復元」プロジェクトにおける「伝統」への挑戦 https://t.co/IwI0ql9JM1 #CiNii
国立劇場の雅楽「復元」プロジェクトにおける「伝統」への挑戦 http://t.co/nr9EZFTL

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