著者
河西 秀哉
出版者
神戸女学院大学
雑誌
論集 (ISSN:03891658)
巻号頁・発行日
vol.59, no.1, pp.49-61, 2012-06

The article aims to identify the role of choruses and what they achieved in the Asia- Pacific War. Japan had employed all national powers toward the Asia-Pacific War. To achive victory, the citizenry needed to mobilize and collect all available resources, including the ue of song. These songs were not considered art; instead, they were used as a proactive tool to increase unity in the workforce. In addition, the Great japan Patriotic Industrial Association, which brought laborers into the all-out war effort, was proactively engaged in welfare movements. It was through this effort that musicians were able to contribute during the war. Musicians consistently aimed to socialize music and attempted to popularize music through the welfare movements. From the perspective of the war effort, their use of choruses was regarded as a tool for increasing workplace unity. Their logic was to use music to eliminatte the classism in the workplace, which reflected an ieal behaind the war effort in general.

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河西秀哉(2012)「総力戦下における合唱―その論理の検討―」 http://t.co/KSjprXtb 総力戦体制を利用して合唱の大衆化をはかる音楽家たちの試みが考察されています。今日私たちが合唱の(民主的な)価値と思う点が総力戦体制と密接に関係していたと気づかされました。
こういう研究は重要。 河西秀哉 「総力戦下における合唱 : その論理の検討」(神戸女学院大学論集 59(1), 49-61, 2012) http://t.co/JjIRSvMq

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