著者

和田 菜穂子

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.86, no.781, pp.1167-1176, 2021 (Released:2021-03-30)

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“Nakagin Capsule Tower Building” established in 1972 is a world well-known architecture as a symbol of Metabolism architecture designed by Kisho Kurokawa. The architect regards capsule as living cell which have to be replaced every 25 years in order to realize the recycle system of Metabolism architecture, but never exchanged. “Nakagin Capsule Tower Building” is apartment house for single man. Total 140 capsules are attached to the core shaft. At the same time, he designed his summer cottage “Capsule K” in Karuizawa consisted by 4 capsules as an experimental house. One of them is a tea room, because tea ceremony is his hobby. However, the metabolism movement came to be ended in the late 1970’s, he has continued to design tea room since he built traditional Sukiya Architecture “Kyoju-so” and tea house “Ritsumei-an” in 1979. Kurokawa put the new word “Hana-Suki” for the concept of new Sukiya architecture. Then, he built his own tea room “Yuishiki-an” in 1984 which named from the philosophy of Buddhism. Finally, his last tea room “Takiminoseki” was completed in 2000 collaborate with Japanese painter Hiroshi Senju which is into a concrete box. The author researched his capsule architecture, tea rooms and his texts to clarify his view of capsule and tea room and concluded the following fourpoints: 1. The expression of spoken and written words by Kisho Kurokawa are equal to the expression of architecture. He often created new words for showing his new concept of architecture and published over 100 books and had lectures. It was necessary for him to spread his new philosophy. 2. The fundamental philosophy of the architect was formed by the experience of young ages in Kanie city of Aichi prefecture during the World War II. He learned the Buddhism at junior and high school. For example, not only the name of his tea room “Yuishiki-an” but his main philosophy “Kyosei” is also inspired from Buddhism. He spent his young ages at tea room “Yoshitsu-an” in Kanie. His grandfather was “Sukisha” which is cultural person and Sukiya collector. His grandfather gave a great impact to young Kurokawa and he got the aesthetic eyes at small tea room of traditional Skiya architecture. It led to the concept of Capsule architecture to spend at the minimum space alone. 3. Japanese tradition gave him the inspiration for his new creation. Especially, tea room was regarded as the symbol of Japanese original culture. The concept of Japanese tradition was translated by Kurokawa and got reborn as contemporary architecture. 4. He prefer to use the word “Kochuu” for the minimum space in his late years around 2000. He designed “Takiminoseki” into the concrete box in 2000 which was similar to Capsule architecture. Although the material was different, the concept was the same as tea room at “Capsule K”. For him, the worldview of “Kochuu” which means to feel universe at minimum space, is important to express his concept. He realized the world view of “Kochuu” was unvarying concept and has continued from the beginning of his carrier since “Capsule K” was completed in 1973.

著者

和田 菜穂子

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.71, no.606, pp.207-214, 2006-08-30 (Released:2017-02-17)

参考文献数

7

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"Museum of Modem Art, Kamakura" designed by Junzo Sakakura is one of the most representative modern buildings in Japan. "The purpose of this paper is to clarify the proportion by means of the analysis on the geometry 1. Elevation: influence from Le Corbusier, similarity to Katsura Rikyu Imperial Villa and the development of Japanese pavilion in Paris Expo 2. Section: extraction of module 3. Perspective: relationship with Kamakura Hachimangu shrine 4. Landscape: comparison with Katsura Rikyu Imperial Villa

著者

和田 菜穂子

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.70, no.597, pp.205-209, 2005-11-30 (Released:2017-02-11)

参考文献数

5

被引用文献数

1 1

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"Museum of Modern Art, Kamakura" designed by Junzo SAKAKURA is one of the most representative modern buildings in Japan. The purpose of this paper is to clarify the proportion by means of the analysis on the golden ratio and the geometry based on the design process. The methods of analysis are as follows: extraction of module, golden ratio and element of geometric figure. The paper shows that design of "Museum of Modern Art, Kamakura" was composed by various geometries through the analysis on Plane figure.

著者

和田 菜穂子

出版者

家具道具室内史学会

雑誌

家具道具室内史 : 家具道具室内史学会誌 (ISSN:18838251)

巻号頁・発行日

no.13, pp.114-137, 2021-07

著者

和田 菜穂子

出版者

Japanese Society for the Science of Design

雑誌

日本デザイン学会研究発表大会概要集

巻号頁・発行日

pp.50, 2005 (Released:2005-07-20)

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公衆浴場は人々にとって身体を清めるだけでなく、コミュニケーションを図る場として重要な場所であった。江戸時代、公衆浴場のための水は、川や海から供給されていた。というのは、明治時代に公共の水道が開通するまで、水の供給はシステム化されておらず、水はとても貴重な資源であった。日本における公衆浴場の歴史は古く、身体を清めることが「沐浴」、「禊(みそぎ)」として宗教上行われていた。それは日本の風土、多湿な気候によるものが大きい。本稿では入浴の中でも特に公衆浴場(銭湯)に焦点をあて、デザインの歴史的背景を探る。手法として主に江戸時代における「浮世絵」や物語における「挿絵」などに描かれた建築デザインを分析することによって日本の文化、慣習を再現し、読み解いていくという新たな手法を用いる。江戸時代銭湯(公衆浴場)は社交の場として賑わいをみせていたが、第2次世界大戦後の日本人のライフスタイルの変化に伴い、銭湯の意味合いも大きく変化した。自家用風呂を所有する家庭が増え、銭湯離れが進むようになり今や問題となっている。

著者

和田 菜穂子

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.70, no.597, pp.205-209, 2005

被引用文献数

1

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"Museum of Modern Art, Kamakura" designed by Junzo SAKAKURA is one of the most representative modern buildings in Japan. The purpose of this paper is to clarify the proportion by means of the analysis on the golden ratio and the geometry based on the design process. The methods of analysis are as follows: extraction of module, golden ratio and element of geometric figure. The paper shows that design of "Museum of Modern Art, Kamakura" was composed by various geometries through the analysis on Plane figure.