著者

四ヶ所 高志 横山 天心 塩崎 太伸 奥山 信一

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.80, no.718, pp.2833-2841, 2015 (Released:2015-12-25)

参考文献数

14

被引用文献数

1 2

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This report aims to illustrate how Japanese architects extrapolated a design theme from roof garden model through analyzing text and actual composition of contemporary Japanese houses with such model as it appeared in architectural publications. Initially, two aspects of the roof garden concept were extracted from explanatory text by architect themselves, and each scheme was then subjected to a “KJ-method” analysis (originated by KAWAKITA Jiro); one is the architect's intention in adopting roof garden, the other is the architect's distinct view of the spatial character on roof garden. Secondly, the actual composition of each house was assessed with regard to vertical and horizontal positioning of the roof garden. Finally, the mediation between each architect's thinking and the final composition has been plotted in terms of this dual classification.

著者

四ヶ所 高志 塩崎 太伸 奥山 信一

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.77, no.677, pp.1617-1624, 2012-07-30 (Released:2012-07-31)

参考文献数

18

被引用文献数

1

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The unified floor plan, with no interior division except for service spaces, is one of the most characteristic modernist spatial types for residences, as exemplified by the Farnsworth House (Mies van der Rohe, 1945-51). After World War II a number of such houses, referred to in Japan as “one-room house”, made their appearance. Here we aim to illustrate and examine how Japanese architects of the time extrapolated a design theme from this model, based on a study of such work as it appeared in architectural publications. Initially, two aspects of the unified floor plan concept were selected, and each scheme was then subjected to a “KJ-method” analysis (originated by KAWAKITA Jiro). First, we scrutinized the architect's intention in adopting a unified floor plan. Secondly, we attempted to assess each architect's distinct view of the spatial character of the prototype, as exemplified in his deployment of this model. At this point, the composition of each house was correlated with regard to two aspects involving relationship between inside and outside. Namely, positioning of apertures and the interrelation of building to site. Finally, the mediation between each architect's thinking and the final composition has been plotted in terms of this dual classification.

著者

四ヶ所 高志 塩崎 太伸 奥山 信一

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.78, no.684, pp.355-364, 2013-02-28 (Released:2013-05-31)

参考文献数

14

被引用文献数

1

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The piloti, elevating the building above ground, is one of the most characteristic modernist structural types. This element also has spatial implications, as recognized by Le Corbusier's “Five Points” and exemplified in his “Villa Savoye (1928-31)”. After World War II a number of such houses made their appearance in Japan. Here we aim to illustrate and examine how Japanese architects of the time extrapolated a design theme from this model, based on a study of such work as it appeared in architectural publications. Initially, two aspects of the piloti concept were selected, and each scheme was then subjected to a “KJ-method” analysis (originated by KAWAKITA Jiro). First, we scrutinized the architect's intention in adopting a piloti scheme. Secondly, we attempted to assess each architect's distinct view of the spatial character of the prototype, as exemplified in his deployment of the piloti model. At this point, the composition of each house was assessed with regard to two aspects involving the relationship between building and ground, namely the interrelation of building to site and to its natural gradation. Finally, the mediation between each architect's thinking and the final composition has been plotted in terms of this dual classification.

著者

前田 咲 香月 歩 鈴木 淳平 大嶽 陽徳 四ヶ所 高志 塩崎 太伸 奥山 信一

出版者

一般社団法人日本建築学会

雑誌

学術講演梗概集 (ISSN:18839363)

巻号頁・発行日

vol.2014, pp.321-322, 2014-09-12