著者
香月 歩 奥山 信一
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.82, no.731, pp.251-261, 2017 (Released:2017-01-30)
参考文献数
22
被引用文献数
1

This paper aims to clarify the framework of the image of places in contemporary society through the analysis of words on sightseeing brochures of the towns which promote themselves as Shokyoto (little Kyoto). These towns attempt to enhance their historical value by borrowing the image of Kyoto, old Japanese capital city. They have obtained unique historical image which have transformed from that of Kyoto. Local governments and tourist offices of these towns have published sightseeing brochures to express their historical attractions. Therefore, the framework of their image can be read from them. Firstly, the contents of historical attraction of each town were examined from two aspects of words on sightseeing brochures; Value Objects and their history (Fig. 1, 2 and 3, Table 1 and 2). Hierarchical relations between Value Objects were considered to capture the whole historical attraction of each town, which are composed of all Value Objects in each sightseeing brochure. These relations were analyzed from the context and the appearance frequency of Value Objects in the text, we found 56 groups of hierarchically-linked Value Objects (Value Groups) (Fig. 4 and 5). Consequently, a set of Value Groups can be recognized as the whole historical attraction of each town from words on the sightseeing brochures. Secondly, according to the content of Value Object which is on the top of hierarchy, the characters of each Value Group were classified into following four categories; whole-of-town type, space-of-town type, life-in-town type, and periphery-of-town type. Space-of-town type and life- in-town type were classified further into four categories; linear-space type, spotted-space type, activity type and article type (Fig. 6). Thirdly, in order to capture the whole historical attraciton of each town, the set of Value Groups in each sightseeing brochure was considered, and 6 patterns were extracted (Table 3). We found characteristic relations between combinations of Value Groups and geographical distribution of the towns; towns located to the east of Kyoto tend to include whole-of-town type, and towns located to the west of Kyoto tend to include space-of-town type. These results suggest the difference of the meaning of Kyoto between eastern and western part of Japan. Finally, all the results above were compared with those of Koedo (little Edo), which were investigated in the previous report (Fig. 7, 8, 9 and 10). As a result, characteristic frameworks of the image of Shokyoto and Koedo were found relatively: The pattern which consists of several whole-of-town types (pattern ウ), and the pattern which includes periphery-of-town type (pattern P) were peculiar to Shokyoto. Meanwhile, the pattern which consists of single life-in-town type (pattern III), and the pattern which consists of several space-of-town types ( pattern IV) were peculiar to Koedo. These results suggest distinctive frameworks of the image of Shokyoto and Koedo: The framework of Shokyoto is a metaphorical image of Kyoto, which overlook the whole character of the town. On the other hand, the framework of Koedo is a metonymic image of Edo, which highlights either spatial or cultural character of the town.
著者
谷川 大輔 奥山 信一
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.66, no.550, pp.157-164, 2001-12-30 (Released:2017-02-04)
参考文献数
3
被引用文献数
1 1

By means of studying articles published by contemporary Japanese architects, this report aims to illustrate their ideas on public architecture. At first, the content of each article was studied, and some comments were extracted from each theory. Then, they were abstracted into two different levels: the level of the subject and the level of the representation. Next, the meaning of these comments was analyzed by applying the method created by Jiro Kawakita. Those theories were then distracted on the basis of certain ideas. The subject was correlated with the representation, and their relationship was studied. Consequently, a definite meaning was found. In this particular study, we have pointed out the design ideas of contemporary Japanese architects about public architecture after the Second World War.
著者
四ヶ所 高志 横山 天心 塩崎 太伸 奥山 信一
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.80, no.718, pp.2833-2841, 2015 (Released:2015-12-25)
参考文献数
14
被引用文献数
1 2

This report aims to illustrate how Japanese architects extrapolated a design theme from roof garden model through analyzing text and actual composition of contemporary Japanese houses with such model as it appeared in architectural publications. Initially, two aspects of the roof garden concept were extracted from explanatory text by architect themselves, and each scheme was then subjected to a “KJ-method” analysis (originated by KAWAKITA Jiro); one is the architect's intention in adopting roof garden, the other is the architect's distinct view of the spatial character on roof garden. Secondly, the actual composition of each house was assessed with regard to vertical and horizontal positioning of the roof garden. Finally, the mediation between each architect's thinking and the final composition has been plotted in terms of this dual classification.
著者
横山 天心 山根 美紀 奥山 信一
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.71, no.610, pp.71-77, 2006-12-30 (Released:2017-02-17)
参考文献数
2
被引用文献数
1 4

The purpose of this thesis is to clarify architects' thoughts on the relationship between technological aspects and design aspects of houses with building construction as main concepts. Firstly, conceptual descriptions on building construction were extracted from contents of each theory, and were classified into two aspects of technology and design. Secondly, based on practical descriptions on building construction, we modeled constructive diagrams in order to show the relationship between the whole and the parts of a building. Finally, we analyzed the relationship between design themes and constructive diagrams. Then we found that the distinctive tendencies of architects dependent on methods to construct the uncompleted whole by which outlines of houses' form are not absolutely determined.
著者
四ヶ所 高志 塩崎 太伸 奥山 信一
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.77, no.677, pp.1617-1624, 2012-07-30 (Released:2012-07-31)
参考文献数
18
被引用文献数
1

The unified floor plan, with no interior division except for service spaces, is one of the most characteristic modernist spatial types for residences, as exemplified by the Farnsworth House (Mies van der Rohe, 1945-51). After World War II a number of such houses, referred to in Japan as “one-room house”, made their appearance. Here we aim to illustrate and examine how Japanese architects of the time extrapolated a design theme from this model, based on a study of such work as it appeared in architectural publications. Initially, two aspects of the unified floor plan concept were selected, and each scheme was then subjected to a “KJ-method” analysis (originated by KAWAKITA Jiro). First, we scrutinized the architect's intention in adopting a unified floor plan. Secondly, we attempted to assess each architect's distinct view of the spatial character of the prototype, as exemplified in his deployment of this model. At this point, the composition of each house was correlated with regard to two aspects involving relationship between inside and outside. Namely, positioning of apertures and the interrelation of building to site. Finally, the mediation between each architect's thinking and the final composition has been plotted in terms of this dual classification.
著者
四ヶ所 高志 塩崎 太伸 奥山 信一
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.78, no.684, pp.355-364, 2013-02-28 (Released:2013-05-31)
参考文献数
14
被引用文献数
1

The piloti, elevating the building above ground, is one of the most characteristic modernist structural types. This element also has spatial implications, as recognized by Le Corbusier's “Five Points” and exemplified in his “Villa Savoye (1928-31)”. After World War II a number of such houses made their appearance in Japan. Here we aim to illustrate and examine how Japanese architects of the time extrapolated a design theme from this model, based on a study of such work as it appeared in architectural publications. Initially, two aspects of the piloti concept were selected, and each scheme was then subjected to a “KJ-method” analysis (originated by KAWAKITA Jiro). First, we scrutinized the architect's intention in adopting a piloti scheme. Secondly, we attempted to assess each architect's distinct view of the spatial character of the prototype, as exemplified in his deployment of the piloti model. At this point, the composition of each house was assessed with regard to two aspects involving the relationship between building and ground, namely the interrelation of building to site and to its natural gradation. Finally, the mediation between each architect's thinking and the final composition has been plotted in terms of this dual classification.
著者
寺内 美紀子 町田 敦 坂本 一成 奥山 信一 小川 次郎
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.67, no.554, pp.159-166, 2002-04-30 (Released:2017-02-04)
参考文献数
24
被引用文献数
2 3

The aim of this study is to clarify the spatial composition of exterior void space in contemporary architecture forming a street wall. That composition is formed by relationship between arrangement of exterior void space and connection with spaces without site and inside of building. Arrangement is integration of void's position on outside volumes and division of outside volumes. Connection has two ways that accessibility or openness to the eye. Comparing the patterns of composition, they are classified into three groups; passage, end, extension of inside space. An alternative composition is found according to opposite of these groups.