文献一覧: 宮原牧子 (著者)

2 0 0 0 OA 19世紀のパロディ・バラッド詩 (2) : II. Morgan O'Doherty という詩人

著者: 宮原牧子
出版者: 筑紫女学園大学
雑誌: 筑紫女学園大学・筑紫女学園大学短期大学部紀要 (ISSN:1880845X)
巻号頁・発行日: vol.9, pp.57-68, 2014

2019-04-07 03:15:27
2 + 0 Twitter

https://ci.nii.ac.jp/naid/110009673447

1 0 0 0 妊娠9 週でくも膜下出血を発症し,血管内治療を施行した1 例

著者: 宮原牧子井上雅人玉井雄大大野博康岡本幸一郎原徹男
出版者: 一般社団法人日本脳卒中学会
雑誌: 脳卒中 (ISSN:09120726)
巻号頁・発行日: vol.38, no.4, pp.262-266, 2016

症例は33 歳女性,妊娠9 週3 日で突然の頭痛にてくも膜下出血を発症した.妊娠中ではあるが,産婦人科医師と連携し,遅滞なく通常通りCT,CTA,血管撮影を行った.急性水頭症を認め当初Grade5(H&K,WFNS)であったが,脳室ドレナージ施行後から意識レベルの改善を認めたため責任病変である左内頸動脈眼動脈分岐部の破裂脳動脈瘤に対し血管内治療を行った.術後経過良好で,妊娠も安定していたため中絶は行わず,第24 病日にリハビリテーションのため転院後,妊娠38週5 日で帝王切開術にて正常児を出産した.現在まで母児ともに経過は良好である.妊娠極初期の血管内治療については過去報告がなく,今回一連の治療後,良好な転帰を得たため報告する.

2020-07-02 23:14:05
1 + 0 Twitter

1 0 0 0 19世紀パロディ・バラッド詩(1) : エイトンとロビンフッド・バラッド

著者: 宮原牧子
出版者: 福岡女子大学
雑誌: Kasumigaoka review (ISSN:13489240)
巻号頁・発行日: vol.13, pp.99-118, 2007-02

Francis James Child collected forty traditional ballads related to Robin Hood in The English and Scottish Popular Ballads. He called Robin "a ballad hero", and, in fact, it is remarkable that a single character has been sung about in so many ballads. In the medieval times Robin was an outlaw virtuous and courteous, but after the second half of the sixteenth century, when the broadside ballad was in its prime, Robin lost his natural nobility, becoming weak in battles and supple in behaviour. William Edmondstoune Aytoun's parodic ballad, "Little John and the Red Friar" was written after Robin's fame had fallen to the ground. The new hero is Little John, who struggles to maintain the manners of his master and gets out of all bounds. The story is similar to that of "Robin Hood and the Curtal Friar", a broadside ballad in the late eighteenth century. John is now only a 'thief' or may be the most obsequious outlaw in the history of Robin Hood ballads, and the readers may laugh or smile at him because what he says and does is extremely anachronistic. Aytoun, however, did not intend to make a mockery of the Robin Hood legend, for the last words of his ballad, 'Is Sherwood now what Sherwood once hath been?', tell of his nostalgia for the good old times of Robin Hood and his company. As his biographer, Theodore Martin wrote '[1] et no one parody a poet unless he loves him', Aytoun loved and knew Robin Hood ballads enough to make such an elaborate parody. His ballad is a mixture of the medieval and broadside ballads: he borrowed the style from the medieval structure while he wrote the story based on the broadside. Aytoun revived the Robin Hood legend with his parodic ballad. Graeme Stone, the editor of Parodies of the Romantic Age, who explains that parody is at its best a uniquely creative form of literary criticism, clarifies its nature: [Parody] may query overstatement, dispose of sentimentality, remote historical process, re-introduce social influence, banish outworn forms, revive discarded forms thought to have long been exhausted, and rescue art from narcissism. The medieval Robin could be a parody of King Arthur as some critics point out, and Robin in the broadside ballads is a travesty of himself in the medieval ones. Aytoun created a new ballad of the outlaws as a sequel to the traditional ballads, and the parody made him an heir of the legend of Robin Hood.