著者

樫村 芙実 光井 渉

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.80, no.715, pp.2101-2109, 2015 (Released:2015-10-21)

被引用文献数

1 1

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‘Nihon-shumi’ architecture is recognized as a figurative architectural style of Japanese modern architecture representing Japanese identity through historicizing elements of Japanese temples, shrines or castles. This paper analyzes a transition of ‘Nihon-shumi’ design in the 1930s dealing with the 1937 Kenkoku Kinen Kaikan Competition for a main venue of 1940 World Exposition. In the competition, there were 2 major types of Nihon-shumi designs; one had narrow eaves on flat walls, which was a typicalexpression of Nihon shumi, and another had exaggerated Japanese traditional motifsout of wooden buildings like deep eaves, pillars of a cloister or Azekura wall.