- 著者
-
樫村 芙実
光井 渉
- 出版者
- 日本建築学会
- 雑誌
- 日本建築学会計画系論文集 (ISSN:13404210)
- 巻号頁・発行日
- vol.80, no.715, pp.2101-2109, 2015 (Released:2015-10-21)
- 被引用文献数
-
1
1
‘Nihon-shumi’ architecture is recognized as a figurative architectural style of Japanese modern architecture representing Japanese identity through historicizing elements of Japanese temples, shrines or castles. This paper analyzes a transition of ‘Nihon-shumi’ design in the 1930s dealing with the 1937 Kenkoku Kinen Kaikan Competition for a main venue of 1940 World Exposition. In the competition, there were 2 major types of Nihon-shumi designs; one had narrow eaves on flat walls, which was a typicalexpression of Nihon shumi, and another had exaggerated Japanese traditional motifsout of wooden buildings like deep eaves, pillars of a cloister or Azekura wall.