著者

浅田 健太朗

出版者

日本音声学会

雑誌

音声研究 (ISSN:13428675)

巻号頁・発行日

vol.8, no.2, pp.35-45, 2004-08-31 (Released:2017-08-31)

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This paper describes a change in the degree of the independence of the postpositional mora by taking notice of the position of kana in the scores of shomyo, Japanese Buddhist chants. An investigation into the scores of the Nanzan-shin School, the Soo-in School and the Tendai School revealed that the postpositional mora acquired its independence as a unit of syllabication during the Medieval Japanese and Early Modern Japanese periods.

著者

浅田 健太朗

出版者

広島大学

雑誌

広島大学大学院教育学研究科紀要. 第二部, 文化教育開発関連領域 (ISSN:13465554)

巻号頁・発行日

vol.50, pp.207-214, 2002-02-28

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This article intends to consider the origin of the notes, "半音"(Han-on; it means half sound) in the scores of Shōmyō. Also, it clarifies via what course it led for " 半音" to be used for the scores of Shōmyō. "半音 ", which was devised as the note to the closed syllable in Sanskrit language in the Ancient Chinese time was inherited to the research of Sanskrit in Japan and it was diverted to the scores of Shōmyō after that. It is estimated in the late Heian era.