著者

田所 辰之助

出版者

一般社団法人日本建築学会

雑誌

学術講演梗概集. F-2, 建築歴史・意匠 (ISSN:13414542)

巻号頁・発行日

vol.2002, pp.77-78, 2002-06-30

著者

川嶋 勝 大川 三雄 矢代 真己 田所 辰之助

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

no.791, pp.172-183, 2022-01

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<p>This study reveals the publishing activities of Kenchiku Shoin and examines the development of architectural books based on the characteristics of publication types.</p><p>1. Founded during the Meiji period, the pioneering Kenchiku Shoin is one of Japan's longest-running architectural publishers. Its activities are divided into four phases according to changes in the engineering literature field.</p><p>2. Kenchiku Shoin's architectural books a) fulfilled the demand for textbooks in the early days of architectural education, b) expanded readership to upwardly mobile, soon-to-be architecture clients by conveying visual information through plates, and c) contributed to the reinstatement of architecture in modern Japanese culture.</p>

著者

杉山 真魚 千代 章一郎 田所 辰之助

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

no.790, pp.2767-2778, 2021-12

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<p> The paper analyses Baillie Scott's words and drawings to clarify the range of his conception of 'decoration' in his theory of house building. </p><p> Section 2 focuses on his background to uncover his references to house design and decoration, discussing his activities from two perspectives: one, the significant influence of the Arts and Crafts movement on British architecture at the end of the 19th century; and two, Scott's reputation in Europe at the beginning of the 20th century. </p><p> Section 3 categorises 16 of Scott's writings on house building into four groups in chronological sequence: (a) articles about suburban houses; (b) articles about country houses and cottages; (c) his book <i>Houses and Gardens</i>; and (d) studies on the rational and British character. </p><p> Section 4 examines three meanings Scott ascribed to 'decoration'. The first, <i>superficial pretentiousness</i>, resulted from his negative attitude towards commercial decoration, such as painting woodwork and covering walls and ceilings with wallpapers, which he considered merely superadded ways to conceal structures. The second meaning, <i>decoration as architectural clothing</i>, considers the relationship between buildings and decorations. In Scott's view, a building's decoration should represent the clothing of architecture with pattern and colour. This required not a superficial but an organic evaluation of the relationship between architectural decoration and other interior factors, such as furnishings or floorplans, to which decorative designs are applied. This section focuses on the relief imparted by constructive features, the architectural embellishments connecting with furnishings, and heraldic decoration to create interiors with 'homely comfort'. The third meaning is <i>structural decoration</i>. Scott thought that a building without artistic pattern and colour should possess real structural beauty to which decoration provides the finishing touch. This manifested as the expression of structural facts by strengthening the texture and colour of natural materials. The goal of this treatment was an outside appearance akin to 'the earth's crust'—built structures that harmonised with nature. </p><p> Section 5 summarises the range of Scott's conception of 'decoration' in his theory of house building with a précis in table form of the subject matter and related keywords. It is thought that Scott's subject matter gradually deepened from <i>decoration as architectural clothing to structural decoration</i>. This variation would require the extension of the meaning of the word 'decoration'. Meanwhile, the expected effect of the finishing touch changed from 'homely comfort' to 'the earth's crust'. The latter relates to the essential problem of human common sense to nature. This section deals with a discussion of common decoration and its relation to the significance of the effect of 'the earth's crust'. It also refers to the problem of relationships between components of a house. </p>

著者

田所 辰之助

出版者

工学系研究科建築学専攻

巻号頁・発行日

1997-06-12

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報告番号: 乙13410 ; 学位授与年月日: 1997-06-12 ; 学位の種別: 論文博士 ; 学位の種類: 博士(工学) ; 学位記番号: 第13410号 ; 研究科・専攻: 工学系研究科建築学専攻

著者

川嶋 勝 大川 三雄 矢代 眞己 田所 辰之助

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.81, no.721, pp.751-758, 2016 (Released:2016-03-30)

被引用文献数

1 2

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The purpose of this study is to examine the activity of architectural publisher KOYOSHA (1912-1944) from the characteristic of the publication and the persons involved with and is to locate its achievement within the framework of the history of modern architecture in Japan.As the result, below mentioned three points become clear; 1. Its activity is distinguished into three periods. 2. Those change is caused by relationship among the publisher and the authors. 3. Such process also indicates a role of architectural books, in response not only to theoretical promotion of the modernist architecture but also to social needs.

著者

田所 辰之助

出版者

一般社団法人日本建築学会

雑誌

建築雑誌 (ISSN:00038555)

巻号頁・発行日

vol.119, no.1525, pp.79-80, 2004-11-20