著者
陳 莉莉
出版者
関西大学大学院東アジア文化研究科
雑誌
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)
巻号頁・発行日
vol.14, pp.435-447, 2021-03-31

The Kantei faith in China developed greatly during the Song-Yuan Dynasty, and the imperial court's posthumous rank became a "King" through the "Hou" and "public". The form of Guan Yu has been fixed with the development of literary works such as storytellings, ghost novels, Yuan Zaju operas, Yuanqu,and novels. Although the Yuan dynasty's Guan Yu paintings are slightly different in shape, the Danfeng eyes, Jujube face, and long beard is already established at this time. However, the statue of the Kantei, which is said to have been handed down from the Chinese Yuan Dynasty, is different from this one. The purpose of this paper is to, through the analysis of the Severnt God and those belongings, compare the shape of Kantei in Chinese Song-Yuan Dynasty, the depiction of storytelling in the works of literature and the statue of Kantei of the DaikoJi Temple, and to examine the image of the Kantei in the DaikoJi Temple, which is said to be the oldest in Japan.
著者
陳 莉莉
出版者
関西大学大学院東アジア文化研究科
雑誌
文化交渉 : 東アジア文化研究科院生論集 : journal of the Graduate School of East Asian Cultures (ISSN:21874395)
巻号頁・発行日
vol.10, pp.209-225, 2020-11-30

In the early Edo period, with the Shogunate's increasingly harsh isolation policy. Chinese people resident in Japan were gathered in Nagasaki, bringing with them Chinese cultural traditions and beliefs. In order to survive the strict Christian prohibition and isolation order, these Nagasaki-based Chinese built their own temple, the Tang Temple as a place to pray for the safety of those at sea, to prove that they were non-Christian. The temple also became a place of spiritual sustenance for communication between fellow villagers in various places. With the arrival of the Chinese in Japan, the belief in the Kantei entered the Japanese Tang Temple as an object of worship. However, in the three of Tang Temple which was built in the early Edo period, the Kantei statue was enshrined not as the main god but as a side deity. His function as god was limited to blessing the safety of navigators and seafarers and the prosperity of commerce. However, the deity of the Statue of Kantei as a warrior god, a professional god, and a universal god was not reflected. The scope of an influence of this deity is limited to the Chinese in Nagasaki, and there is no record of it spreading to the local Japanese businesspeople and citizenry. However, it laid the foundation for the spread of Kantei belief in the middle and late Edo period, and also prepared for the prosperity of the Meiji period.