著者
田島 悠来 タジマ ユキ Yuki TAJIMA
雑誌
Gender and Sexuality : Journal of the Center for Gender Studies, ICU
巻号頁・発行日
no.8, pp.53-81, 2013-03-31

Using men's studies,this paper will examine the images and reception of"Johnny's"in "myojo" magazine(Shuueisha).At the same time,it willdeepen the understnading of its conception through interviews with theeditor.Magazines from November 2002-October 2012,including thefront cover,reader's page and colored photographs,will be analyzed.Theresearcn focuses on finding a connection between Johnny's and thereaders,and how the relationships between Johnny's stars are depicted.Especially regarding the latter point,this essay argues that there is a connecion to the theories of Eve Sedgewick on"homosocial,homophobia,and misogyny"(1985-2001). The above leads to the conclusion that,in Myojo,Johnny's arerepresented as tne readers'love interests,so the magazine functions asthe site of a pseudo-romance between the readers and the entertainers.In addition,it seems clear that this is the editor's purpose.In themagazine,while excluding women and emphasizing the bond betweenJohnny's members,homosociality is highlighted,and further,assosiatedwith homosexuality in both discourse and symbolism.Conversely,Johnny's express their manliness through their rivalries and their highlevel of athletic ability,which constitutes an opposing image to that ofhomosexuality.In conclusion,although the magazine depictshomosocial relationships between Johnny"s members without homophobia,there is no connection to Sedgewick's theories because these relationshipsare created by a female perspective,are about aheterosexual love imagined by the editors,and occur in the limited spaceof"readers will outgrow the material sooner or later."
著者
田島 悠来 Yuki Tajima
出版者
同志社大学社会学会
雑誌
評論・社会科学 = Hyoron Shakaikagaku (Social Science Review) (ISSN:02862840)
巻号頁・発行日
no.116, pp.15-40, 2016-03-20

本稿は、NHK朝の連続テレビ小説『あまちゃん』(2013)が、ロケ地である岩手県久慈市においてどのように受容されていたのかを現地調査に基づいて探り、ドラマ放送やそれを機に起こったツーリズムにより地域側にどのような効果がもたらされたのか、それがどのような意味を持っていったと言えるのかを考察した。その結果、『あまちゃん』の受容によって、地域側に観光客増加等の経済的な効果がもたらされたことに加え、自らの地域に関心や愛着を持ち、文化意識を高める機会を得たと考えられる。そして、放送終了後も『あまちゃん』を生かした発展的なまちづくりを継続して行うことで、「久慈市=『あまちゃん』」というイメージを一層強化させていっている。
著者
田島 悠来 タジマ ユキ Yuki TAJIMA
出版者
国際基督教大学ジェンダー研究センター
雑誌
Gender and sexuality : journal of Center for Gender Studies, ICU (ISSN:18804764)
巻号頁・発行日
no.8, pp.53-81, 2013

Using men's studies,this paper will examine the images and reception of"Johnny's"in "myojo" magazine(Shuueisha).At the same time,it willdeepen the understnading of its conception through interviews with theeditor.Magazines from November 2002-October 2012,including thefront cover,reader's page and colored photographs,will be analyzed.Theresearcn focuses on finding a connection between Johnny's and thereaders,and how the relationships between Johnny's stars are depicted.Especially regarding the latter point,this essay argues that there is a connecion to the theories of Eve Sedgewick on"homosocial,homophobia,and misogyny"(1985-2001). The above leads to the conclusion that,in Myojo,Johnny's arerepresented as tne readers'love interests,so the magazine functions asthe site of a pseudo-romance between the readers and the entertainers.In addition,it seems clear that this is the editor's purpose.In themagazine,while excluding women and emphasizing the bond betweenJohnny's members,homosociality is highlighted,and further,assosiatedwith homosexuality in both discourse and symbolism.Conversely,Johnny's express their manliness through their rivalries and their highlevel of athletic ability,which constitutes an opposing image to that ofhomosexuality.In conclusion,although the magazine depictshomosocial relationships between Johnny"s members without homophobia,there is no connection to Sedgewick's theories because these relationshipsare created by a female perspective,are about aheterosexual love imagined by the editors,and occur in the limited spaceof"readers will outgrow the material sooner or later."