著者
服藤 早苗
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 (ISSN:13470515)
巻号頁・発行日
vol.5, pp.233-246, 2005-12

平安時代の十一世紀中頃の上層貴族層の婚姻決定と婚姻生活の事例検討である。右大臣実資は娘千古のいくつかの縁談を政治的な配慮をしつつ進めていくが、皇親源師房と道長息長家との場合は破談になり、道長次妻腹頼宗息兼頼との縁談がまとまる。婿兼頼は結婚当初から実資の小野宮邸東対に妻方同居する。舅実頼は婿に経済的援助や朝廷内の儀式や職務の教授を行うなど婿傅きを積極的に行い、小野宮一家との交流にも婿を参加させる。婿兼頼は実父頼宗宅へも度々訪れ、政治的行為や儀式等では父方の父系親族一員として行動する。また、小野宮一家と頼宗一家との交流も盛んに行われ、姻族とも密接な関係を保っていた。
著者
若宮 由美 Yumi WAKAMIYA
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 (ISSN:13470515)
巻号頁・発行日
no.14, pp.75-87, 2014-12

The Austrian National Library possesses a piano score of potpourri based on Ch. Gounod's opera "Romeo and Juliet" that was arranged by Josef Strauss. The socre was published as No.107 of the series named 'Anthologie Musicale' by the publisher Spina. The background of this potpourri is not known. The French Opera "Romeo and Juliet" by Gounod was premiered in Paris on April 27, 1867 during the Expo in Paris, and was performed in German in Vienna on February 5, 1868. The author found the advertisement of the Strauss's Concert in Volksgarten dated July 24, 1867 in which the "Groses Potpourri aus der Oper Romeo und Julie" by Josef Strauss was announced as a new work. It became clear that this potpourri was actually performed by the Strauss Orchestra.
著者
若宮 由美 Yumi WAKAMIYA
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 (ISSN:13470515)
巻号頁・発行日
no.13, pp.167-179, 2013-12

"Aus der Musikstadt" is the piano collection by ten composers who lived in the 19th century in Vienna, and it was published by Viennese Gustav Lewy in 1892. The composers were Josef Bayer, Alfons Czibulka, Johann Nepomuk Fuchs, Robert Fuchs, Joseph Hellmesberger jun., Karel Komzák jun., Carl Millöcker, Adolpf Müller jun., Johann Strauss jun. and Franz von Suppé. The title of each short piece was designed beautifully and the composer's portrait was also drawn on the side of the title. The score puts prominent composers in order seems to be an musical exihibition. "The International Exhibition of Music and the Theatre" was just held in Vienna in 1892. With the Exibition the concept which treats music as goods was born. In that sense, a score was not only for a performance but also a souvenir. It seems that the collection was related to the Exhibition, because it was not so expensive and good-looking, and it looks like a famous composers' exihibition.

4 0 0 0 IR 呪術師の誕生

著者
齋藤 正憲 Masanori SAITO
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 (ISSN:13470515)
巻号頁・発行日
no.18, pp.27-36, 2018-12