著者

定方 晟

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

vol.81, pp.37-63, 2004

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Nitta Yoshisada put an end to the Kamakura Shogunate in 1333. According to the chronicle Taiheiki, he started from the Ikushina shrine in the Gummma-prefecture. It is generally supposed that he marched directly southward, because that is the shortest way to Kamakura. In fact there are several local traditions in the areas to the southward of the Ikushina shrine. One tradition says that Yoshisada crossed the Tone-River at such and such a place and that there still exists a pine-tree to which Yoshisada attached the rope of his boat. Another tradition says that Yoshisada climbed a pine-tree to watch the camp of his enemy and that the pine-tree still exists. Recently, however, a new theory appeared according to which Yoshisada marched westward at first from the Ikushina shrine and, arriving at Yawata (near Takasaki city), he joined with allied armies and then marched southward. When we accept this theory, we can solve some important riddles and get a better understanding of the political situations of the epoch. This article has the aim of making known this theory. (Livshits/Nikitin 1994; Bader 1996: 265), the recent excavations unearthed some texts and the number of these texts will surely increase (see, for example, Morano 1996). The value of this work (Diakonoff/Livshits 1976-2001), however, never decreases. Below are my notes on it. Since it is far beyond my capability to review this vast work generally, I restrict myself here to the "reading" of the texts. First, I discuss the problematic phrase, MN NPSH tyrydt mzn 'sppty HWH, then look into other points.

著者

坂東 浩司

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.15, pp.218-230, 1971-06

著者

石井 忠厚

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.38, pp.p80-57, 1982

著者

五十嵐 沙千子

出版者

東海大学

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

vol.84, pp.176-155, 2005

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Das ist bemerkenswert, dass M. J. Sandel, der Vertreter des Kommunitar-ianismus, den Liberalismus von John Rawls sehr hart kritisiert hat. Die Aufgabe der vorliegenden Untersuchung ist, die Moglichkeit der Freiheit im Liberalismus durch Sandels Kritik an Rawls nochmals zu uberprufen, und die Spannungen zwischen >Offentlichkeit< und >Gemeinschaft< klarzumachen. Dem Anschein nach sind >Offentlichkeit< und >Gemeinschaft< einander sehr ahnlich. Diese zwei Begriffe sind aber wirklich ganz widerspruchlich. Ich habe aus den Spannungen erklart, dass der Rahmen der Gerechtigkeit sowohl im Liberalismus als im Kommunitarianismus Grenze hat.

著者

定方 晟

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.64, pp.1-23, 1995

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It is well known that Kenji Miyazawa, a Japanese writer of the Taisho and early Showa periods, is an ardent follower of the teaching of the Buddhist Sacred Scripture Saddharmapundarika-sutra. In his fairy tales, indeed, do we find frequently motifs deriving from this teaching. But, strange enough, his most important work "Night of Galaxy Railway" is full of Christian images and scanty of Buddhist ones. These Christian images are so beautiful that many readers tend to think that this is a work of Christian faith. This is a misreading. Jovanni, a young hero of the work, did not get off the train when many Christian passengers got off at the "Southern Cross" station, which is the entrance to the Christian paradise. He even said to a young Christian girl, "Your god is not a true god". The author does not explain why Jovanni disapproves the Christian god and its blessing. I suppose that Christianity, having a doctrine of Judgement, does not give happiness to all living beings. To Jovanni who has an ardent desire for "true happiness for all" as he repeatedly says, Christianity does not give satisfaction. Poor readers only see that which is criticized and fail to see criticism itself.

著者

松本 富士男

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.37, pp.p11-27, 1982

著者

イザンベール・斉藤 真美

出版者

東海大学出版会

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

vol.75, pp.98-88, 2001

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This series is aimed at analyzing revolutions and rebellions in the light of the world-system perspective. This article treats so-called revolutionary reign of terror. Violences and genocides after the capture of the state power by revolutionary force. This paper reports that there are many casualties before and after the revolution. And revolutions which occurred in this century did not compensate the victims because they could not realize 'a real democracy'. Then what were the meaning of these victims, how should we consider the 20th century's revolutions?

著者

山本 文雄

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.24, pp.p126-118, 1975

著者

今橋 理子

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.64, pp.25-46,図10p, 1995

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Sakura paintings-paintings whose exclusive theme is cherry blossoms (sakura)-were first created in Kyoto by the Edo-period painter Mikuma Shiko (1730-94) and continued to be painted by Shiko's sister Roko (d.1801), his disciple Hirose Kain (dates unknown), and the female painter Oda Shitsushitsu(1789-1831), Roko's disciple. These works, which were already known by the term "sakura painting" at this early time, appear at first glance to be highly realistic, but also have a clean, well-rounded, lyrical quality. They seem to have been very well received by many people of the period. Unfortunately, however, Kain and Shitsushitsu left no disciples, so the brief genealogy of sakura paintings came to an end with the death of Shitsushitsu. Probably because this school of painting was so short-lived, no trace of any research on it exists, nor has a collection of the paintings been assembled. Indeed, the school itself has not been given a name. I would like to call the sakura-painting artists, from Mikuma Shiko to Oda Shitsushitsu, the Mikuma School. In my essay I will open with an analysis of the works of Mikuma Shiko and will consider how it came about that he began painting the unique type of flower-and-bird picture known as sakura paintings.The essay will also look at the reasons why, in the light of contemporary trends in natural history and Japanese classical studies, the Mikuma School painted cherry blossoms-this very traditional Japanese motif-to the exclusion of all other subject matter.Finally, the essay will consider chronologically the works of Oda Shitsushitsu, whose works are the most refined among those of the Mikuma school, and discuss the historical position of these works within the school.

著者

中島 純一

出版者

東海大学出版会

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

vol.73, pp.84-69, 2000

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In sociological studies, fashion phenomena are classified into the head of collective behavior in the wide sense of the word. This paper examines how the contagion and the imitation theories, which form the backbone of modern fashion studies, find their places in the field of collective behavior studies. This paper also demonstrates how the genealogy of fashion theories has been formed, by focusing on the three leading scholars in this field : Gustave Le Bon, Gabriel Tarde and George Simmel. Le Bon, the father of the notion of "crowd psychology, " applied the medical notion of "contagion" to sociological studies. His theories of "the masses " and "contagion" have long been authoritative in the succeeding researches in fashion. Tarde brought forward the notion of "the public" and the theory of "imitation." His imitation theory differs from Le Bon's in his assumption that "the imitation principle" continues to alter societies. In the center of his fashion studies lies another theory of "the trickle down effect, " which is still widely quoted in the researches concerned. Simmel developed the theories of Le Bon and Tarde into his "ambivalent structure in psychology" theory, the characteristic of which is the reciprocal elements of conformity and nonconformity.

著者

山野辺 五十鈴

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.43, pp.p112-90, 1985

著者

山野辺 五十鈴

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.34, pp.p118-97, 1980

著者

山野辺 五十鈴

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.33, pp.p64-51, 1980

著者

山野辺 五十鈴

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.60, pp.p106-78, 1993

著者

吉野 誠

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.47, pp.p33-40, 1987

著者

吉野 誠

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.48, pp.p59-72, 1987

著者

久保田 忠利

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

vol.82, pp.48-33, 2004

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This is a prose translation of Aristophanes' Birds (Ornithes in Greek original title, Aves in Latin) with introduction and notes. Aristophanes is the most famous Athenian comic poet in the 5th century B. C. Birds was produced at the City Dionysia in the spring of 414 B. C. That the play contains rich fantasy is unanimously agreed and highly praised by critics, but the interpretation of the work differs widely. Some scholars find in Birds allegorical comment on the political events in 415 B. C., others see as a creation of egocentric desire to get control over everyone else. This subject will be discussed after the completion of this translation.

著者

大山 七穂 国広 陽子

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.63, pp.p68-50, 1995

著者

吉田 章人

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

vol.93, pp.45-68, 2010

著者

大山 七穂

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

vol.81, pp.192-174, 2004

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This study examines the influence of electoral environments on female candidates, using the data of the 2003 prefectural legislative elections. First, electoral environments in each prefecture are compared, by using measures: number of female candidates, number of female winning candidates, proportion of female candidates, proportion of female winning candidates, successful ratio of female candidates, and successful ratio of male candidates. The results show that, in prefectures they have larger population, more women become candidates and winning candidates. However, the relation between numbers of female winning candidates and successful ratio of female candidates is not clear. Rather, there is negative relation between numbers of female candidates and successful ratio of female candidates. Second, this study examines the advantage of incumbents under the current electoral system. And the result indicates female incumbents as well as male incumbents are more elected than newcomers. However, most incumbents are male in elections. Therefore the advantage of incumbents means that the current electoral system work negatively for women who try to involve politics. Moreover, we confirm there is a big range of numbers of seats in electoral districts, that is one through eighteen. The more seats there were in an electoral district, the higher the successful ratio of female candidates became. Because the number of candidates in many electoral districts were one or two more than the number of seats, the more seats there were, the lower likely the competition became. These findings clearly seem to show influences of electoral environments on female candidates' results in prefectural legislative elections.