著者
伊藤 潔志
出版者
桃山学院大学
雑誌
桃山学院大学キリスト教論集 = St. Andrew's University Journal of Christian Studies (ISSN:0286973X)
巻号頁・発行日
no.51, pp.45-70, 2016-02-18

In Wittgenstein's diaries, manuscripts, and so on, he makes numerous references to religion. From this, we can see that Wittgenstein had a strong interest in religion, and that this interest continued consistently right from his `early phase' to his `late phase.' However, these are no more than fragmentary writings, and they do not go so far as to clearly indicate exactly what Wittgenstein's religious understanding was. In this paper, in order to pursue the essence of Wittgenstein's interest in religion, and to clarify the characteristics of his religious understanding, I focus on Tolstoy, who exerted a powerful influence on Wittgenstein. By considering Wittgenstein's religious understanding centered on the influence exerted by Tolstoy on him, we see that, for Wittgenstein, religion was truly an` issue of life.' Accordingly, Wittgenstein's religion can be called a `religion of life.'
著者
村瀬 寿代 Hisayo Murase
雑誌
桃山学院大学キリスト教論集 = St. Andrew's University Journal of Christian Studies (ISSN:0286973X)
巻号頁・発行日
no.37, pp.19-43, 2001-03-01

Guido Herman Fridolin Verbeck, a native of the Netherlands, was one of the first Protestant missionaries sent to Japan by the Dutch Reformed Church in America. From the time he arrived in Nagasaki in 1859 he gave lessons in foreign languages, taught Western sciences and technology and introduced Western constitutions to young Japanese in Nagasaki. He even had Bible classes for certain inquirers in the hope of introducing Christianity rightfully and legitimately to Japan. He soon became popular among Japanese who desired to get modern Western knowledge. After spending about ten years in Nagasaki, he was invited to Tokyo to work with the Japanese Government and to help establishing the present Tokyo University. It was at this period of time that he contributed in various ways to the modernization ofJapan. Verbeck's life and work was first introduced in his biography, Verbeck of Japan, published in the United States in 1900 by William Eliot Griffis. Griffis himself was invited to Japan as a teacher of chemistry and science by Verbeck, and because he stayed with Verbeck for a while in Tokyo, he actually observed how Verbeck worked for and served Japan and her people. Although Vbrbeck of Japan is one of the most important documentations for research on Verbeck,its author Griffismade many historicalmistakes and in some parts misunderstood the facts. Many historians seem to believe almost all the things Griffis said in his book and do not seem to question his comments. In this essay, I use many other historical sources to correct Griffis' errors, point out the mistakes the researchers made, and offer a more accurate view. During the period Verbeck stayed in Nagasaki, he taught at the Saga School which was financiallysupported by Prince of Saga.It is said that establishing the Saga School in Nagasaki is both Okuma Shigenobu and Koide Sennosuke's idea and it was they who invited Verbeck to their school as a director.Yet the details of the Saga School do not seem to have been told so far by any researchers. I try to clarify when and how Okuma and Koide tried to estahlish the Saga school. Although Verbeck went to a Presbyterian theology school and was ordained as a Dutch Reformed missionary, he was educated at the Moravian school in Zeist in the Netherlands and belonged to the Moravian Church until he entered Auburn Theology School in America in 1856. In my opinion, Verbeck was affected in many ways by the Moravian Church,as can be observed from the way he conducted mission work and preached the gospel. Since the Moravian Church has never been introduced to Japan, there are very few researchers on Moravian Brethren and practically nobody has studied the relation between Verbeck and the Moravian Church. It is necessary to take his original denomination into consideration to understand Verbeck's way of engaging himself in missionary work.
著者
古畑 正富 Masatomi Kobata 河内長野市文化振興計画策定委員
雑誌
桃山学院大学キリスト教論集 = St. Andrew's University Journal of Christian Studies (ISSN:0286973X)
巻号頁・発行日
no.41, pp.69-91, 2005-01-20

As to the Pazarcik stele, published by V.Donbaz, special attention has been paid to the figure of Sammuramat (Semiramis), Adad-n?r?r? Ⅲ's queen mother. As pointed out rightly (RIMA 3. A. O. 104. 3), such military-oriented character as Sammuramat is hardly to be explained by means of“normal”male lineage written in the Assyrian records. Because the military action of queen mother, who went with the king and the Assyrian army (task force) in the campaign to the west (805BC), was unusual in the first stage of the Neo-Assyrian empire. The purpose of this paper is to examine the position of Sammuramat in the Pazarcik stele against the background of the empire's localization. Considering the Assyrian politico-miliatry records relating to queen mother, we may conclude the following points. Such as: (1) It is highly probable that Sammuramat crossed the Euphrates with the Assyrian task force, but that the commander-in chief of it was the general named Nergal-il?ya. Sammuramat, therefore, was not a female warrior and did not participate in the real battle. (2) Presumably, Sammuramat was looking forward to a good news with her little son in the midst of mobile palace. Sammuramat was guarded by the“qurb?tu-soldiers (group) of queen mother”who were gathered from her private manor. In contrast to the qurb?tu-soldiers, there was the ordinary contingent called“kisir of queen mother”. But, we believe, it cannot be directly connected with the command of Sammuramat ( → indirect approach). (3) We get a strong impression that the empire’s localization, during the reign of Adad-n?r?r? Ⅲ, was making steady progress in terms of internal structure. From the logical point of view, it becomes clear that Sammuramat won broad support from the local power of the empire.
著者
野原 康弘 Yasuhiro Nohara 桃山学院大学経営学部
出版者
桃山学院大学総合研究所
雑誌
桃山学院大学キリスト教論集 = St. Andrew's University Journal of Christian Studies (ISSN:0286973X)
巻号頁・発行日
no.44, pp.1-42, 2009-02-20

In UK, the death of Elizabeth II automatically should place her son Charles, Prince of Wales, on the throne. There should be no difficulty at all as to who inherits the crown; no civil strife between her children, Charles, Anne, Andrew and Edward. In the past, however, this peaceful state of crowning was not common, on the contrary, coronations often led to bloodshed; the first in succession to the throne did not always manage to mount the throne. When King Edward the Confessor died childless in 1066, a question, who should succeed the throne, occurred naturally. Edgar, who was the grandson of King Edmund, was one, Norwegian-Danish King Harald was also one, and Guillaume, the Duke of Normandy was another. Nevertheless Harold, the son of Earl Godwin, took a drastic measure: he had two services on the same day; King Edward's burial and his own coronation, which was extremely unusual even at that time, and which eventually aggravated the matter. The above three people appealed Harold's coronation. Edgar, however, was regarded too small to succeed the throne. King Harald from Norway invaded the north of England and occupied York temporarily but was finally defeated by newly crowned King Harold at the Battle of Stamford Bridge. Guillaume with a stronger claim against Harold was different from the two. He was waiting for the good time for a battle with Harold. Guillaume was born in 1027 at Falaise in Normandy, France, as an illegitimate child of the sixth Duke Robert of Normandy. King Edward's mother, Emma, was from Normandy, and Guillaume and King Edward were relatives. Guillaume made an invasion at Pevensey with a great fleet of warships in 1066. As is well-known, he completely beat King Harold's army at the Battle of Hastings. Nevertheless, it was more than two months before he crowned himself as William the Conqueror, King of England. This summer, I visited cities and towns in Normandy which were related to Guillaume, and also drove along the south-eastern coast of England. This means that I tried to follow the steps of Guillaume's conquest of England.
著者
村瀬 寿代 Hisayo Murase
雑誌
桃山学院大学キリスト教論集 = St. Andrew's University Journal of Christian Studies (ISSN:0286973X)
巻号頁・発行日
no.39, pp.55-78, 2003-03-01

Guido Hermann Fridolin Verbeck was born in Zeist, the Netherlands in 1830 and went to the United States when he was 22. After he graduated from Auburn Theology School in the state of New York, he was ordained as a missionary of Dutch Reformed Church in America and came to Nagasaki as one of the first Protestant missionaries to Japan in 1859. He helped in various ways to establish modern Japan in the late 19th century, subsequently attaining fame as an adviser to the Meiji Government. Researchers have often concentrated on Verbeck's distinguished service or contribution to Japan and its people, yet very few tried to focus on his family records, his educational and religious background, and his early life previous to his arrival in Japan. Although Verbeck's biography, 'Verbeck of Japan', written by William Eliot Griffis, is one of the most important studies on Verbeck, Griffis made many incorrect statements in his writing. Most researchers seem to have believed whatever is written in 'Verbeck of Japan'. In this article, by studying the records of Zeist, Verbeck's family members and his early educational environment have been clarified. His religious experience, especially the Moravian education he was given, has also been taken into consideration. Verbeck's letters have been reexamined in detail to discover and confirm facts that have not been known to the public before. The aim of this article is to offer reliable information about Verbeck in order to find out how his experience in his youth helped him to earn his position in Japan and how his religious background influenced his way of conducting mission work as well as shaping his later character as a 'hired foreigner' in Japan.
著者
中井 紀明 Noriaki Nakai 桃山学院大学文学部
出版者
桃山学院大学総合研究所
雑誌
桃山学院大学キリスト教論集 = St. Andrew's University Journal of Christian Studies (ISSN:0286973X)
巻号頁・発行日
no.41, pp.1-32, 2005-01-20

Emily Dickinson left almost 1800 poems, many of them in bundles later called fascicles; they have been usually regarded as mss of poems chronologically bound just for preservation. Recently in the United States, however, some scholars find unity in fascicles without clarifying why only their particular fascicles have unity under the editor Dickinson. My hypotheses are: Franklin's "fascicles" are in fact distinct collections of Emily Dickinson's poetry, and his "sets" are groups of poems waiting for later inclusion in further fascicles. My project is to offer the poet a persistent reader taking her fascicles as collections of poems edited by the poet herself and as more than just chronological. My method of reading-thinking-fermenting-writing of/ about the fascicles was formed by Stanley Fish's Reader Response Criticism and has been the main engine in my analyses of Fascicles 1~4 and will take me as far as Fascicle 40. My experiment is to deliberately become me the first reader of her first "published" collection of her poems edited by the poet herself and to intentionally have the recent scholarship on Dickinson's poetry and fascicles stop intruding into my reading. The first reader is supposed to know nothing in terms of interpretations and commentary accumulated later. The only and main source of information on this "publication" is the collection itself, and the tradition of close reading from New Criticism to Reader Response Criticism will help me here. In Fascicle 1 Dickinson the editor juxtaposes nature and man in terms of time: nature rotates and overcomes time; man proceeds in a forward direction, dies and never returns. Fascicle 2 is not just a bundle of poems but an elaborately edited collection of poems, logically following Fascicle 1. In Fascicle 2, against the softening background of nature, are presented big themes like time, the human destiny of death, faith in Christ, and lastly the poet's scrupulous feelings about having faith which seem to be rooted in her own life. Although Fascicle 2 is breathlessly and daringly taking up big themes for only the second fascicle in a work of forty, it quite impressively binds these themes and reveals Emily Dickinson as a skillful editor. In Fascicle 3 Dickinson the editor intentionally repeats many words to bind this fascicle. Flowers are so abundant in this fascicle as to give solace to the reader facing the inevitability of dying. Days "die" into lingering yesterdays and a year "went up this evening", but for the first time in the first three fascicles substantial human deaths are treated. I discuss the eleventh, seventeenth, eighteenth, and the climactic twentythird poem, where, I suggest, the poet and the editor in her are engaged in not so much overcoming as outwitting the human destiny of death. This is the fourth article in my project of reading each of the forty fascicles as a distinct collection of poems chosen and edited by Dickinson. Literary texts are texts whose rhetorical intentions, deliberately and meticulously interwoven into the text by the author, are traceable through reader responses. Since we cannot expect Dickinson herself to deliver an oracle as to her real intentions in the fascicles, I have sought to experience the text of Fascicle 4 as a reader sensitive to the reading process. My conclusion is that, like the first three fascicles, it is a thematically united collection. Through the sixteen poems of Fascicle 4, Dickinson vividly depicts the stream of conflicting thoughts in the narrator's mind against the background of the Gospel According to St. John (King James Version). In the former part of the fascicle (poems #1 through #7), the narrator is at the same time pleased at the rebirth of the land in springtime (poems #1 and #3) and made gloomy by the contrast with the stark reality of human existence (poems #2 through #7). In poem #8, the turning point in the reasoning process of the fascicle, the narrator recapitulates her joy at the rebirth of Nature but reveals at the end of the poem that the fascicle's real concern is not with Nature but with human rebirth (3:5). In the latter part of the fascicle (poems #9 through #16), where death and human resurrection are discussed against the contrasting background of a cheerful description of Nature's rebirth in springtime (poems #10, #11, and #14), we discover the narrator's growing doubt as to the possibility of human resurrection because of the difficulty of maintaining the unconditional "faith" demanded by Jesus. According to Jesus, human resurrection is possible only for those with faith in him as the Son of God: "he that believeth on me shall never thirst"(6:35) and "he that believeth on me hath everlasting life."(6:47) The narrator, fearing that compared with the annual rebirth of Nature in springtime human resurrection is difficult, finds herself unable to respond to the message of St. John's Gospel, which gradually comes to weigh more and more heavily on her mind. For such a scrupulous narrator, to believe in Jesus as the Son of God without seeing for herself the miracles St. John claims for Him is problematic. Should we believe in things we have not seen? "Blessed are they that have not seen, and yet have believed"(20:29). If so, then the narrator, who has not seen and therefore cannot believe, is unblessed. She cannot face Jesus because she does not qualify to stand among those disciples chosen for their unshakeable belief in Him. She feels unqualified to be added to those selected for their trustworthiness as the Twelve Disciples, and finally turns herself into a humble daisy devoid of heart and mind and free from all demands (poem #12). At this point (poems #9, #13, #15, and #16) the narrator uncovers some graves. She learns that many of the dead, either because they are animals without minds or because they are without belief, are left abandoned in their graves even when springtime comes, while an exceptional woman, presumably being possessed of a firm faith, has been raised to Heaven immediately following her death in springtime. It is as if she has been resurrected not on this earth but in Heaven itself. Are we being pressured to accept the reality that God discriminates among the dead and favors those with faith in Jesus? The narrator's skepticism toward the possibility of human resurrection, which takes belief in Jesus as its key, and her nihilistic fear of being incapable of faith gradually pervade the fascicle. Are we doomed to wander in helpless anguish through this haphazard world, buffeted by Fate, waiting only to die? In this fascicle Dickinson is engaged in what I call"polemical reasoning". Each poem is an independent narrative but at the same time is contributing through "polemical reasoning" to the formation of the fascicle's overall narrative of the difficulty of human resurrection. Dickinson is referring the reader to the words of Jesus in St. John's Gospel that "I am the resurrection, and the life: he that believeth in me, though he were dead, yet shall he live; and whosoever liveth and believeth in me shall never die". (11:25) Though enchanted and moved by this Gospel prophesy, the poet finds herself unable to respond to it. In the return of flowers in the springtime she sees human resurrection, yet she cannot hold on to the belief in Jesus as the Son of God. As we read the poems in this fascicle, we follow the theme of rebirth in Nature, which is simultaneously contrasted to the narrator's fear of the difficulty of human resurrection due to her increasingly shaky belief in Jesus. We will now trace how the narrative of each of the sixteen individual poems contributes to the fascicle's overall narrative of "polemical reasoning". The first line of each poem is shown in parentheses following the poem number. In Poem #1 ("Perhaps you'd like to buy a flower,") the narrator rejoices, confident of Nature's seasonal rebirth. In Poem #2 ("Water, is taught by thirst.") the narrator lets us know that there are both bright and dark sides to everything on this earth, and that we should admit that we recognize and appreciate things most deeply when we suffer from their lack. At the beginning of the poem we have the "water of life" whose lack leads to thirstiness; we must wait until the Nicodemus Mystery in poem #8 for "water" that does not lead to thirstiness (4:14) and that gives rebirth (3:5). It is said that love is most dearly felt when the loved one dies, but the stark reality is that dying means not returning to dwell on the earth. In Poem #3 ("Have you got a Brook in your little heart,") the flowers of poem #1 and the water of poem #2 are linked, and a new item, "life is " added. In the first and second stanzas we see how water gives life to flowers and to birds, but the same river, we learn in the third and the fourth stanzas, can also at times flood or dry up. That the narrator seeks to draw our attention to this harsh reality at the end of the poem is perhaps the result of her jealousy toward Nature's guaranteed annual rebirth, but probably also because she cannot bring herself to celebrate unreservedly the renewal of Nature thanks to her pessimistic view of the possibility of human resurrection. Poem #4 ("Flowers - Well - if anybody") provides readers with a puzzling problem of definition. Flowers, as the embodiment of Nature, give us "transport" with their return at their successive springtime, but at the same time "trouble" through the fact that the dead among us can never return. The "extasy" caused in us by this combination of "transport" and "trouble" humbles us. There is one more point that must be mentioned here in connection with the fascicle's overall narrative of "polemical reasoning." The narrator wants to find, even at the expense of a reward, someone who could truly claim to be represented by the following words of Jesus: "…but the water that I shall give him shall be in him a well of water springing up into everlasting life (my emphasis)."(4:14). Like Thomas the Apostle, she is not one of those "that have not seen, and yet have believed"(20:29) Unable to see what Jesus did with her own eyes, she cannot believe in Him. In Poem #5 ("Pigmy seraphs - gone astray -") the narrator, looking at the roses she has raised, cannot resist dwelling upon the limited opulence of human affairs: human splendors are nothing compared with the natural world around us. In Poem #6 ("Heart not so heavy as mine") the narrator, gloomy thanks probably to the stress on the harsh reality of human existence in poems #2 through #5, receives solace from a song she overhears. Poem #7 ("Soul, Wilt thou toss again?") describes another feature of harsh human reality which is dominated by haphazardness and lack of planning. In Poem #8 ("An altered look about the hills - ") the narrator recapitulates her concern with the seasonal rebirth of Nature, while in the last two lines her real concern with human resurrection is made clear. At the end of the poem the reader finally learns why flowers and the water that gives them life appear so repeatedly in poems #1 through #4. We also learn about "Nicodemus' Mystery" which, though concerned specifically with human resurrection, is here being applied to natural rebirth too. The reference comes from the passage in the Gospel According to St. John: "Except a man be born of water and of the Spirit, he cannot enter into the kingdom of God"(3:5). We understand for the first time here that the theme of human resurrection is the main theme of this fascicle over and above that of natural rebirth. In the following poems the possibility of human resurrection is implicitly doubted because of its dependence on unwavering faith in Jesus. In Poem #9 ("Some, too fragile for winter winds") the narrator, after having rejoiced in the springtime rebirth of Nature, is trying to see into some graves to find out whether those buried there are also revived. The graves have protected those within - children, sparrows and lambs - from the winter. The words "unnoticed by the Father" deserve notice. What is happening here to those in the grave who, like the children, are too immature to profess "faith," or to those who, like the sparrows and lambs, have no mind that would enable them to have faith? Are they unnoticed by the Father simply because they don't have faith? Does being unnoticed by the Father mean that they must remain in the grave without the possibility of resurrection? In Poem #10 ("Whose are the little beds, - I asked") the narrator is watching the flowers revived in springtime and now enjoying sleep different in kind from that in the graves. . Poem #11 ("For every Bird a nest - ") presents, as in poem #10, flowers and birds making homes for themselves and enjoying their lives in springtime. Poem #12 ("'They have not chosen me,' he said,") is a crucial poem in the greater narrative of the fascicle, centering on the story of the Twelve Disciples. Jesus chooses the twelve for their "trustworthiness" or "promising nature"(15:16). Elsewhere Jesus tells them "I chose you" in the knowledge that one of them, Judas, would betray Him (6:70). Reading Jesus' thoughts at the moment of betrayal, the narrator is hesitant to be added to the twelve disciples chosen for their "promising" nature. Knowing that her faith is too unstable to live up to Jesus' expectations, she feels happier to be regarded by Jesus as no more than a roadside daisy, lacking in consciousness and consequently free from the demands of faith. Poem #13 ("She bore it till the simple veins") tells of a woman who died at the end of spring. This woman did not stay in the grave but went immediately to Heaven, presumably because her firm belief in Jesus had been recognized. She was resurrected, but not on the earth as flowers are. Are people with faith resurrected only in Heaven? Is going to Heaven the only way to be born again? Is God discriminating between the woman raised to Heaven in this poem and those remaining in their graves in poems #9, #15, and #16? Does lack of faith mean that we must remain in our grave deserted by God? Poem #14 ("We should not mind so small a flower") talks about the significance of a flower, symbol of the rebirth of the garden she lost, and the relative difficulty of human resurrection. "Faith", a keyword crucial to the "polemical reasoning" in this latter part of the fascicle, is repeated in this poem and the next. In Poem #15 ("This heart that broke so long ?") the narrator, uncertain of her faith, sympathizes with the dead left deserted in their graves. At the end of the first stanza she explains why this keyword "faith" has become so crucial: she had sought after Jesus as her Savior, but her search had been "in vain." In Poem #16 ("On such a night, or such a night,") the narrator's sympathy is with the small children laid so early in their tiny graves. Must they remain there forever because of their lack of faith?