著者

松林 靖明

出版者

甲南女子大学

雑誌

甲南女子大学研究紀要. 文学・文化編 (ISSN:1347121X)

巻号頁・発行日

vol.43, pp.A23-A33, 2007-03-20

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The Bessho-Ki is one of the tales of war written in the age of wars. I examined mainly the books quoting passages from it and those influenced by it to take up various general issues which had not yet been examined.

著者

三島 郁

出版者

甲南女子大学

雑誌

甲南女子大学研究紀要. 文学・文化編 (ISSN:1347121X)

巻号頁・発行日

vol.43, pp.69-77, 2007-03-20

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The history of music, in most cases, has actually been the history of musical style. Such a history involves identifying and connecting the characteristics of those outstanding composers that modern historians would judge as great musicians. However, in reality, the history of music encompasses all the activities of human life. In this article, I would like to restructure musical history by discussing the activities of Louis Spohr (1784-1859), a musician who lived in Germany in the first half of the nineteenth century. Spohr is known for his "Violinschule" (a manual for the violin); however, he is currently regarded as a second-class or trivial epigonic composer between the Classical and the Romantic era. Nevertheless, Spohr was admired by the critics of his time such as Johann Friedrich Rochlitz (1769-1842) in the "Allgemeine musikalische Zeitung, " and his works ranked at a high position in the repertoire of the Gewanthauskonzert. Furthermore, he founded "Cailienverin" and attempted to perform Bach's "Matthauspassion." Therefore, I would like to consider Louis Spohr as not only a composer but also a violin virtuoso, a Kapellmeister in the court, and a director in the theatrical and choral society. It is very likely that he was an integral part of musical life at that time; considering him in such a perspective can serve as a useful reference in the reexamination of musical history.

著者

三島 郁

出版者

甲南女子大学

雑誌

甲南女子大学研究紀要. 文学・文化編 (ISSN:1347121X)

巻号頁・発行日

vol.41, pp.53-63, 2005-03-18

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In the eighteenth century in Germany, the center of society moved from the aristocracy to the middle class, who came to be owners of property and wanted to be musically cultivated. Leipzig, a merchant city, was not a court city like Berlin or Dresden, but it had a textile industry, a university and publishing business, and the famous Thomaskirche. An international trade fair was held twice a year, and there were many foreign visitors to the city. So they had a base for receiving new music culture. The most characteristic feature was the choir. They founded many choral societies for four voices or male voices, where they devoted themselves to singing songs. At first their interest was in religious music or early music repertories, but gradually shifted to pieces by contemporary composers or by their own members, and they were satisfied with just participating in a Gesangverein (choral society). This change in their quality and taste is thought to be closely related to the multi-layered middle-class society.

著者

佐藤 毅彦

出版者

甲南女子大学

雑誌

甲南女子大学研究紀要. 文学・文化編 (ISSN:1347121X)

巻号頁・発行日

vol.39, pp.41-53, 2003-03-18

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前年に続き,日本の女性ミステリ作家の作品に描かれている図書館・図書館具について検討した。今回は,いずれも1950年代生れの,小池真理子,雨宮町子をとりあげた。小池真理子の作品には,学生と図書館との関わりを描いたものが多い。図書館で何かを調べるケースでは,必ずしも日常的には図書館と縁のないような人物が,利用している。また,図書館員については,両者の作品とも,利用者からの質問に対応する場合,必ずしもその専門的なやりとりが強調されているとは言えない。図書館について,現在の日本で定着しているイメージが存在している状態のままで,新しいサービスの方向性をめざしても,利用者に充分に活用されないこともありうる。図書館のイメージを戦略的見地から考える必要がある。