著者
細江 光
出版者
甲南女子大学
雑誌
甲南女子大学研究紀要. 文学・文化編 (ISSN:1347121X)
巻号頁・発行日
vol.42, pp.A85-A149, 2006-03-18

The purpose of this paper is to make a thorough and complete interpretation of the animated movie Tonarino Totoro, the masterpiece produced and directed by Miyazaki Hayao. The director projects the image of the mother onto nature in this movie, and the realized world in this story, the whole space of fiction, is encompassed by the mother of nature. This makes possible a Utopia where everything is in harmony in an ideal way and where the innocence of children is not only protected but also exercised to perfection, which moves those who watch this movie. Miyazaki wants to embody such an ideal childhood as is shown in the Utopia of this movie. It is a fact that he himself didn't spend a happy childhood like this in me real world, and this has led him to satisfy his hunger for it by realizing it in this fictional world.
著者
細江 光
出版者
甲南女子大学
雑誌
甲南女子大学研究紀要. 文学・文化編 = Konan Women's University researches of literature and culture volume (ISSN:1347121X)
巻号頁・発行日
no.40, pp.A37-A63, 2004-03-18

Sojin Kamiyama, one of the key figures in the creation of the modern Japanese theatre, was a friend of Junichiro Tanizaki throughout his lifetime. He is also known as one of the few Japanese actors who performed in Hollywood silent films in the 1920s. However, his life has not been sufficiently studied ; his fellowship with Junichiro Tanizaki has not been fully investigated either. This paper presents his personal history based on various data, information and interviews with members of his family.
著者
馬場 伸彦
出版者
甲南女子大学
雑誌
甲南女子大学研究紀要. 文学・文化編 (ISSN:1347121X)
巻号頁・発行日
vol.44, pp.A75-A82, 2007

雑誌『犯罪科学』において,1930年代に登場した新しい「グラフ・モンタージュ」は,その実践者である堀野正雄,また写真評論家として活躍した伊奈信男や板垣鷹穂らによって,西欧で勃興した「新興芸術」の流れの中に位置づけられている。「グラフ・モンタージュ」と名付けられた一連の作品評を概観してみると,移入初期においては直裁的な翻訳のようであったが,その後試行錯誤を経て次第に独自の表現形式を獲得していったことが分かる。そこには社会の暗部や裏面をメディアの視覚を媒介にして安全かつ刺激的に覗き見たいという大衆の欲望が表象され,また,「シナリオ」を必要としたその構成と形式は,写真報道と映画を架橋する新しい表現であったにちがいない。
著者
細江 光
出版者
甲南女子大学
雑誌
甲南女子大学研究紀要. 文学・文化編 (ISSN:1347121X)
巻号頁・発行日
vol.39, pp.11A-54A, 2003-03-18

Sojin Kamiyama, one of the key figures in the creation of the modern Japanese theatre, was a friend of Junichiro Tanizaki throughout his lifetime. He is also known as one of the few Japanese actors who performed in Hollywood silent films in the 1920s. However, his life has not been sufficiently studied ; his fellowship with Junichiro Tanizaki has not been fully investigated either. This paper presents his personal history based on various data, information and interviews with members of his family.Sojin Kamiyama, one of the key figures in the creation of the modern Japanese theatre, was a friend of Junichiro Tanizaki throughout his lifetime. He is also known as one of the few Japanese actors who performed in Hollywood silent films in the 1920s. However, his life has not been sufficiently studied ; his fellowship with Junichiro Tanizaki has not been fully investigated either. This paper presents his personal history based on various data, information and interviews with members of his family.