著者
伊藤 亜紗
出版者
美学会
雑誌
美学 (ISSN:05200962)
巻号頁・発行日
vol.68, no.2, pp.1, 2017 (Released:2019-01-02)

This paper aims to clarify characteristics of aesthetic experience of blind people. Aesthetics has long treated the blind as people who have extraordinary ability of sense of touch under the strong influence of Molyneux’s problem. As Derrida advocated, sense of touch has played a fundamental role in the tradition of Western metaphysical thought because it can grasp an essence directly without any interference of preconception. This study questions this connection between blind people and sense of touch by conducting field research. The result of interview shows that blind people rather tend to avoid to touch objects by hand so as to follow the code of conduct of sighted people. Instead, they like to use another sense modality such as audition or sense of smell. Of course they sometimes rely on sense of touch too, but the way of using it is completely different from what aesthetics has expected to be. This misunderstanding about blind people was strengthened because aesthetics has referred to them only in the limited context and has paid little attention to their real life. This paper argues the possibility of aesthetical approach to handicapped people and evaluates its significance from the viewpoint of disability studies.

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#寝る前に論文読む 93 伊藤亜紗「当事者の経験にもとづく視覚障害者の身体論」 https://t.co/w8rMN90obN 「このように美学において視覚障害者は、視覚と触覚を対立的に論じる文脈において登場する。視覚障害者は、まさに視覚を持たないがゆえに、「触覚の巧みな使い手」と位置づけられてきたのである
明日、再読するhttps://t.co/XdqYfQFrSe https://t.co/bvrjXwvHwP

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